Reżyseria:
Steven SpielbergScenariusz:
Steven SpielbergZdjęcia:
Janusz KamińskiMuzyka:
John WilliamsObsada:
Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson, Sam Robards, William Hurt, Ken Leung, Kathryn Morris, Jake Thomas, Ashley Scott (więcej)VOD (3)
Opisy(1)
Jest wiek XXI. Zasoby naturalne wyczerpują się w zastraszającym tempie, a ziemi grozi zagłada. Znaczną część jej mieszkańców stanowią roboty, które w wyglądzie zewnętrznym niczym nie różnią się od ludzi. Powstają coraz to nowe formy robotów - Sztucznych Inteligencji. Jednym z nich jest mały chłopiec Android, który wyrusza w emocjonalną podróż. Chce się dowiedzieć, czy może być czymś więcej niż maszyną. On kocha i chce być kochanym. (Warner Home Video)
(więcej)Recenzje (11)
Artificial Intelligence: AI is a remarkable, extravagant futuristic film that, on the one hand, wants to be a fairy tale for the masses and, on the other hand, seeks to philosophically discuss the most complex topics of artificial intelligence in our world. In formal terms, it is perfect. John Williams’ music is once again brilliant, the performance of Haley Joel Osment, whose character’s great inner development is the basis of the story, is also brilliant, and the design of the futuristic world (especially the final “weeping lion city”) is breathtaking. But from a complex directorial point of view, the film is strange and chaotic. As it was Spielberg who took over this project, he should have focused on what is his strong suit and made it into a dreamy, emotionally engaging and heartwarming work. Combining the uncombinable does not pay off.
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Once again I didn't give in to the critics and it paid off. A.I. is an excellent film and I left the cinema with a warm feeling in my heart. I think it is stupid to look for Kubrick here, this is sensitive Spielberg with all the bells and whistles.
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No, I wasn't expecting miracles, which was good, because there weren't any. The emotions of the story of the "dream robot" are maintained mainly by the flawless Osment, but it is a pity that Spielberg has kind of forgotten how to make an ending. Like Minority Report, A.I. is stretched into an awkward happy ending. If the credits had surfaced a few minutes earlier, it would have been an excellent film, but the offered end is hellish nonsense. It’s too bad. Convincing visually and in terms of acting, this is a science fiction with a little more thoughtful subtext, but Spielberg can do better. Add a half to the three stars.
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A concept from Stanley Kubrick, directing from Steven Spielberg, and in the end, a beautiful film full of naive searching, simple and human thoughts, breathtaking performances by Haley Joel Osment and Jude Law, and a conclusion that will blow your mind. I admire this film for being able to combine traditional Spielbergian family values with a fascinating vision of the future, a plethora of technical gadgets, and many intellectual stimuli.
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A little different than I expected, but that's probably what made A.I. that much better. Spielberg's science fiction movies are among my favorites, and this one's no exception. Especially the ending (featuring the World Trade Center) was very impressive. Spielberg simply knows how to do these things. Haley Joel Osment was great and really impressive in his special role. The special effects are top notch, Williams' music is one of the best, and Teddy is cool :-).
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A captivating and visionary sci-fi film that is unlike anything ever made before. It's not worth arguing about whether Kubrick would have done it better or worse. Spielberg made the film the way he wanted and did not embarrass his colleague. A technically flawless film with beautifully ethereal music and excellently chosen actors. A great experience and once again, one of the masterpieces of world cinema that will most likely never be fully appreciated.
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This is supposed to be Spielberg’s dud? In that case, my opinion of his filmography has increased manifold... A film imperfect due its overly sentimental approach, but beautiful nonetheless in its narrative playfulness and the view of events through an eternally fascinated child's "mind" that best reveals Steven's own fascination with the subject matter. Kubrick would be pleased. 85%
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A futuristic tale wrapped in the fine veil of a Disney classic about a robot/puppet who wants to become a normal boy, directed by one of my favourite and most respected directors of all time... well, that's a big attraction, and not just for me. The story is brilliantly composed, and even though at times I felt it was a bit wild, the ending made up for it. Haley Joel Osment is amazing in his role, and for most viewers, myself included, he will always be that child actor from A.I. and The Sixth Sense. Audiovisually, it's a gem, but that's not unexpected after Steven Spielberg's "dinosaur wonder". And I'm pretty sure that if I had seen the film when it premiered, I would have begged my parents for Teddy, because there are very few toys like that indeed. In short, it's not a perfect film, and it could have easily been twenty minutes shorter, but within its genre it's beautiful and memorable.
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A post-humanity horror film and a film that strays heavily from Spielberg's previous style. It feels very closed, isolated, surreal, and most importantly, fatal. Despite its piecemeal screenwriting and production missteps, it is an exceptional film in how convincingly it closes the human chapter. Not just in the story, but also in the work with visuals, with Kaminski working with a tightly defined, hazy space and the role of sounds and music here uncharacteristically subdued for Spielberg and Williams, giving the film the impression of a memory even as you watch.
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I'm not sure if Stanley Kubrick would have gotten more out of this material, but I definitely don't think he would have made it as sickeningly sweet as Spielberg. These are exactly the elements I don't like about his films. That excessive sweetness that tries to force tears into your eyes. Here, however, I didn't even like the story, which may be too inspired by Pinocchio, but by shifting it into the sci-fi realm, it tries to be different.
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Crafted brilliantly, Spielberg's technical precision can't be denied, it's not even up for debate :)). Again, magical music by John Williams, really excellent cinematography by Janusz Kaminski, and Spielberg's script based on a story by Kubrick is also very good... But now comes the "but" :)) But despite the sympathetic performance of H.J. Osment and the great Jude Law, I was just missing something, something extra, the SOMETHING that maybe Close Encounters of the Third Kind had... And I still felt that Spielberg pushed the envelope a bit at the end, but that may just be my silly subjective feeling. Nevertheless, an extraordinary and repeatable experience!
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