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Naukowcy nie mają wątpliwości: Ziemia nie zdoła uniknąć zderzenia ze zbliżającą się do niej potężną kometą, a jego skutki będą katastrofalne. Wybitny inżynier John Garrity i jego rodzina są w grupie wybrańców, którym władze zaoferowały bezpieczne schronienie w położonym na odludziu tajnym bunkrze. Większość społeczeństwa nie otrzymuje takiej szansy. Podczas gdy fragmenty rozpadającej się komety niszczą miasta i zabijają tysiące ludzi, świat pogrąża się w chaosie. Wybuchają zamieszki, rozboje są na porządku dziennym, a służby tracą kontrolę nad sytuacją. W takich okolicznościach dotarcie na miejsce ewakuacji staje się śmiertelnie niebezpiecznym wyzwaniem. Moment decydującego uderzenia zbliża się nieubłaganie. John jest gotów na wszystko, by ocalić swoją żonę i kochanego syna. Najbliższe kilkanaście godzin zdecyduje o wszystkim. (Monolith)

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POMO 

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angielski Greenland is a likably simple depiction of the sudden destruction of the world by a hail of asteroids. How it might happen, how mortals would react to it and how difficult it would be for the lucky ones (read: “the chosen ones”) to get into shelters. It is a disaster thriller with a more modest budget, shot in digital and with more emphasis on the characters. Unfortunately, those characters are placed in the most clichéd relationship context imaginable – an estranged couple who are brought together by their son (the exposition is handled through a rip-off of War of the Worlds). The visual effects and action sequences are excellent, and I was particularly pleased with the aerial shots of Greenland in the ending, as that land is numero uno in my traveler’s heart where natural wonders are concerned (I don’t want to spoil it). ()

Malarkey 

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angielski I’ve been wondering what happened to Gerard Butler. He burst onto the scene years ago with some solid films, but lately, it feels like he’s been stuck in a string of forgettable disaster flicks. Greenland could’ve easily been another one of those, but surprisingly, it’s not half bad. It gave me flashbacks to the first time I watched Deep Impact — starting off with a really grounded vibe and gradually shifting into a tense portrayal of how different people cope with an impending catastrophe. Sure, it leans into the usual tropes by the end, but honestly, I didn’t mind. It’s refreshing to see a disaster movie that isn’t completely ridiculous for a change. ()

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Lima 

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angielski It has its weaker moments (the entire final half-hour is such a clichéd Hollywood construct, completely different in mood from the previous realistic action), but otherwise it's far from Geostorm and similar recent bullshit. It's a believable look at human behaviour in extreme situations, when a planetary catastrophe brings to the surface their egotism and low instincts. The special effects are sparse, but the ominous sights of the changing sky has an unsettling charm and visually it really looks good and believable. But I expected it, Ric Roman Waugh is a smart guy, he's done it a few times already, and his latest film so far certainly doesn't deserve to be in the blue. ()

MrHlad 

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angielski A comet is heading for Earth and Gerard Butler must save his family. Not the world or civilization, just his family. On the surface, Greenland is a very ordinary disaster movie, but what makes it different from the others is that it revolves around ordinary people trying to survive. Nothing more. Solid actors, very brisk pace and well built tension. Nothing too new, but above average entertainment. ()

EvilPhoEniX 

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angielski After a long time, a more expensive and bigger film, which is a pleasure in the current crisis, and also the fact that disaster films are like saffron. Greenland has solid visuals, decent pacing, Gerard Butler performing to his standard, and there’s plenty of suspense. The film is mainly a road movie about saving a family, the actual VFX attractions are a bit less, but when it comes to them, it's definitely worth it. Story***, Action****, Humor**, Violence**, Entertainment****, Music****, Visuals****, Atmosphere****, Suspense****. 7/10. ()

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