Reżyseria:
Joel SchumacherScenariusz:
Akiva GoldsmanZdjęcia:
Peter Menzies Jr.Muzyka:
Elliot GoldenthalObsada:
Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey, Oliver Platt, Charles S. Dutton, Brenda Fricker, Donald Sutherland (więcej)VOD (3)
Opisy(1)
Missisipi. Dwóch białych mężczyzn gwałci dziesięcioletnią Murzynkę. Jej ojciec, Carl Lee Hailey, postanawia wymierzyć sprawiedliwość i zabija napastników. Ambitny prawnik, Jake Brigance, podejmuje się jego obrony przed sądem. Sprzymierzeńcami Jake'a zostają: były mentor Lucien Wilbanks, koleżanka po fachu Ellen Roark i przyjaciel Harry Rex Vonner. Brat jednego z zabitych gwałcicieli mobilizuje członków Ku-Klux-Klanu. Dochodzi do zamieszek i aktów wandalizmu, wzmagają się uprzedzenia rasowe. Lecz prawnicy nie rezygnują ze sprawy. (Paramount Channel)
(więcej)Materiały wideo (1)
Recenzje (10)
This film is also a top film, a gem of the genre confirming the rule that the nineties dominated thrillers at the highest possible level. The cast alone is Oscar-worthy: Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey, Kiefer Sutherland and Donald Sutherland. Of course the McConaughey vs Spacey duel shines the most, because these two shine like crystal in the courtroom. This is what I call a perfect and audacious acting performance, and during Matthew's final speech I cried for a constant five minutes with everyone involved in the courtroom, I've never seen such an emotionally and intelligently charged speech in my life, and anyone who doesn't shed a tear during it is not human. A perfect film in every way. 100%.
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This time it's best to start from the end. The final and supposedly gripping and authentic speech by Matthew McConaughey left me completely indifferent. It's brutally implausible and it won’t make you transform into a gullible jury member, so unless you want to feel it at all cost, you won't feel anything. The chemistry between the young lawyer and the ambitious student is great and they complement each other well, Kevin Spacey delivers excellent wisecracks and the permanently “sozzled” Donald Sutherland plays a role that is not often seen. And we must not forget the main antagonist, whose revenge was much more believable than those legal entanglements. However, the biggest driving force remains the initial brutal act and the subsequent chaos in the bar.
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A traditional southern Grisham film based on the 1988 novel of the same name. The film is a riveting courtroom drama with many pressing themes that are conveyed with equal verve in both mediums. Of the performances, Matthew McConaughey towers above all, especially in the final speech. Samuel L. Jackson is also great, but Sandra Bullock is just a poster attraction - her role is relatively small and just completes the all-star team.
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Joel Schumacher is a master of either strongly conflicting dramas or absolutely strange fantasies and anything else that is... weird. This means that one day, he shoots an absolutely amazing movie based on real-life events, but once he gets to a rather improbable and often fantastic story, he’s hopeless. Luckily, A Time To Kill is the first one of the two. What’s more, it’s based on a book, so it really can grab your attention for its lengthy 149 minutes. But that’s not only thanks to the director; Matthew McConaughey usurped a substantial part of the movie for himself. You could even say that it is literally his movie – even despite the fact that it’s basically his very first lead role that dazzled Hollywood. Hats off! I kind of feel like lawyer roles in movies predominantly about black people and racism somehow befit him. It’s not just a coincidence, right?
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McConaughey was a good actor even when he was young, but he just didn’t want to. Schumacher in good form, a myriad of stars (Jack Bauer as the head of the local branch of the Ku Klux Klan!), who maintain the tension inside the viewer for two and a half hours until the unexpectedly classic end. Grisham came up with a great idea revolving around racial hatred, Goldsman interpreted it wonderfully for the silver screen. A classic about a lawyer that matures with age.
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