Reżyseria:
Lisa JoyScenariusz:
Lisa JoyZdjęcia:
Paul CameronMuzyka:
Ramin DjawadiObsada:
Hugh Jackman, Rebecca Ferguson, Natalie Martinez, Thandiwe Newton, Cliff Curtis, Angela Sarafyan, Daniel Wu Yin-cho, Teri Wyble, Marina de Tavira (więcej)VOD (4)
Opisy(1)
Nick Bannister jest prywatnym detektywem, drążącym zagadki umysłu. Mieszka na skraju zatopionego wybrzeża Miami, lecz przebywa głównie w mrocznym, nęcącym świecie przeszłości, pomagając klientom w dotarciu do zagubionych wspomnień. Jego życie zmieni się na zawsze, kiedy przyjmie nową klientkę, Mae. Prosta sprawa, dotycząca zagubienia kluczy, staje się niebezpieczną obsesją. Bannister, starając się poznać przyczyny zaginięcia Mae, odkrywa istnienie brutalnego spisku. Ostatecznie musi odpowiedzieć na pytanie: do czego można się posunąć dla tych, których się kocha? (Warner Bros. PL)
(więcej)Materiały wideo (2)
Recenzje (8)
Not my cup of coffee, but more digestible than I'd expected, though I would have preferred Logan 2. It has a pretty interesting story about unlocking lost memories and it’s a shame that it had to go down the romantic-crime line. I would have been more interested in the memories of assassins and hitmen, but it's directed by a woman, so there’s. Hugh Jackman is solid and Rebecca Ferguson is irresistibly seductive, though I found her character quite underused. It's got quite nice and intimate visuals, surprisingly there are two action scenes (one shootout and one fight), but the finale didn't grab me, it lacks a distinct style. Reminiscence doesn't really stand out, it's about half throttle, but the ladies might be satisfied, the emotions work really well here and the dialogue had something going for it at times, too. Story 3/5, Action 2/5, Humour 0/5, Violence 0/5, Fun 3/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 2/5, Emotions 3/5. 6/10.
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Hugh Jackman searches his own memories to find out what happened to his love, Rebecca Ferguson, but he may not be prepared for what he finds. Lisa Joy delivers a visually appealing combination of science fiction and noir that perhaps borrows too much from other films, but the two hours pass unexpectedly pleasantly.
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A clever noir crime movie about memories embedded in a (future) sunken Miami, suffers from being too fragmented. Lisa Joy knows what she wants to say, but lacks the ability to tell a story that her husband and brother-in-law have. She’s a bit more of a copy-cat than them. The story would benefit from dark, dirty visuals. The polished post-apocalyptic Miami is too pretty to make Jackman depressed. More blood would help, R-rating is a must with any good noir movie, this is too clean. But despite all that, I give it a thumbs up and I’m sorry that it bombed in the movie theaters. Lisa definitely deserves another chance. P.S.: Rebecca Ferguson was simply born to play divine femmes fatales.
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This film had so much potential but failed to deliver. A sci-fi romance with a strong cast, yet a disappointingly weak script. Most of the time, nothing much happens. The stunning visuals make the lack of substance even more frustrating. The ending is the only interesting part, but in the context of the entire film, it feels almost sad.
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There’s something to the vision of a flooded Miami in a noirish coat of night-time lighting, with a bumbling love-struck Jackman infatuated with the beautiful femme fatale Rebecca. It brings to mind Blade Runner and Sin City, and Rebecca singing on stage in a red dress even brings back memories of the animated Jessica Rabbit from Who Framed Roger Rabbit. But the potential for a nice, touching love story is cut off at the knees by the film’s clumsy and uninteresting detective storyline, which also diminishes the significance of the interesting formalistic stylization.
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