Reżyseria:
Philippa LowthorpeZdjęcia:
Zac NicholsonMuzyka:
Dickon HinchliffeObsada:
Keira Knightley, Greg Kinnear, Gugu Mbatha-Raw, Jessie Buckley, Suki Waterhouse, Keeley Hawes, Rhys Ifans, Lesley Manville, Phyllis Logan, Ruby Bentall (więcej)VOD (1)
Opisy(1)
Na przełomie lat 60-tych i 70-tych konkurs Miss Świata był najpopularniejszym telewizyjnym show na świecie. Miliony widzów z wypiekami na twarzy śledziło zmagania najpiękniejszych dziewcząt świata. Impreza całkowicie zdominowana przez męski punkt widzenia była solą w oku postępowych młodych kobiet, które nie chciały być dłużej traktowane jak skrzyżowanie kurtyzany z robotem kuchennym. Ambitna studentka Sally (Keira Knightley) przyłącza się do aktywistek londyńskiego koła Ruchu Wyzwolenia Kobiet. Młode kobiety pod wodzą charyzmatycznej i zbuntowanej Jo (Jessie Buckley) planują spektakularny protest podczas transmitowanego na żywo finału Miss Świata, który w roku 1970 ma odbyć się w Londynie. Niesforne i nieposkromione dziewczyny działając partyzanckimi metodami wprowadzą wielkie zamieszanie na finałowej gali. (Cineman)
(więcej)Recenzje (4)
Misbehaviour has a strong theme – on one side, a beauty pageant with all its positives and (especially) negatives, on the other side, a revolutionary movement for women's rights. So it's a real shame that the execution is surprisingly shallow and lacklustre. It was interesting and enlightening to go back fifty years to the backstage of the Miss World and women's movements, but on the whole, there aren’t any strong and memorable moments. I'm not saying that I require any play on emotions, besides the film offered plenty of material to think about. However, I felt all along that it was simply missing something substantial. It felt like a fiction documentary conveying historical facts rather than a historical drama.
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We've seen plenty of British films like this—a historical snapshot with a touch of lighthearted absurdity. Sometimes it works when the filmmakers really pour their heart into it, but here it felt more like a routine period drama with that typical British perspective. Nothing particularly wrong with it, but nothing that stands out either.
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After the trailer, I expected a lot of comedies and a little bit of a heist, but I didn't get either. Genre-wise, it remains a family-friendly atmosphere and thematically, a few correct social or racial values are presented. Although I completely agree with them, they come at a time when there are plenty of similar messages in every corner of the film industry. They don't differentiate themselves in any way, don't stand out anywhere, and most of the time miss the point. It's a shame because pure British gold can be seen in the supporting roles of noble mature ladies.
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I certainly wouldn't call this movie a comedy. There’s not much to laugh about here, on the contrary, the pretty serious issues of gender equality and racial discrimination are being addressed. The story based on real events is unfortunately handled in a rather uninspiring way. There is a noticeable lack of tension at the tensest moments. The undeniable positives of the film, however, are the good performances by most of the actors and the accurately captured retro atmosphere of the 1970s. (60%)
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