Zdjęcia:
Yaron ScharfMuzyka:
Yishai AdarObsada:
Michael Aloni, Lior Ashkenazi, Shadi Mar´i, Noa Kooler, Tzahi Grad, Shlomi Elkabetz, Johnny Arbid, Ruba Blal, Moris Cohen, Yoram Toledano, Tom Gal (więcej)Odcinki(10)
-
Chapter 1: Out of the Depth, I Cry to You (E01)
-
Chapter 2: I Love Toto (E02)
-
Chapter 3: Two Packs of Red Next (E03)
-
Chapter 4: The Dawn Martyr (E04)
-
Chapter 5: Shabbat Shalom (E05)
-
Chapter 6: Acceptance of Silence (E06)
-
Chapter 7: Judging by its End (E07)
-
Chapter 8: Defendants 2 and 3 (E08)
-
Chapter 9: The Perfumer and the Tanner (E09)
-
Chapter 10: A Shaft Into a Dark Tunnel (E10)
Opisy(1)
Latem 2014 roku trzech żydowskich nastolatków zostało porwanych i zamordowanych przez bojowników Hamasu. Izrael był zszokowany, wstrząśnięty i wściekły. Dwa dni później, w lesie na zachodnich obrzeżach Jerozolimy, znalezione zostało spalone ciało palestyńskiego nastolatka ze wschodniej części miasta. W następstwie tego wydarzenia agent Shin Bet podejmuje śledztwo w sprawie morderstwa, a rodzice zabitego nastolatka rozpoczynają długą i bolesną walkę o sprawiedliwość oraz pocieszenie. (HBO)
(więcej)Recenzje (2)
I have really mixed feelings about this series. On the one hand, it was a great insight into the Palestinian-Israeli relations with all the manipulations and political pressures that show how human life doesn't matter; on the other, the creators probably suffered from Alzheimer's because in some episodes they lost track of the previous story, and the result was a bit odd, to put it mildly. 4*- ()
The biblical phrase "an eye for an eye, a tooth for a tooth" is perhaps more true on the hot soil of Israel than elsewhere. I must admit that all of this gives me the creeps. Who is actually in the right and who is not? Who to pity and who not to pity? Similar questions and dilemmas related to the topic fill my mind. Still, I have the persistent feeling that if the creators had condensed the plot into six episodes, the whole story would have packed much more of a punch and certainly been more attractive to the audience. (75%) ()