Reżyseria:
Roman PolańskiZdjęcia:
Darius KhondjiMuzyka:
Wojciech KilarObsada:
Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, James Russo, Allen Garfield, Jacques Dacqmine, Joe Sheridan (więcej)VOD (2)
Opisy(1)
Dean Corso - nowojorski bibliofil, specjalizujący się w odnajdywaniu bezcennych starodruków, na zlecenie bogatego kolekcjonera Borisa Balkana ma odnaleźć dwa egzemplarze "Księgi Dziewięciorga Wrót Do Królestwa Cieni". Ich autor został spalony na stosie za kontakty z samym Szatanem. Corso wyrusza w daleką podróż, której przebiegu zupełnie się nie spodziewa. Na tropie ksiąg dociera aż do Hiszpanii. Od antykwariuszy, braci Ceniza, dowiaduje się, że niektóre z dziewięciu rycin w księdze sygnowane są LCF. Czyżby ich autorem był sam Lucyfer? (Epelpol)
(więcej)Recenzje (6)
European film from the Polanski - Emmanuelle Seigner series and again an interesting adaptation. While the poster is eye-catching, it might be worth highlighting something other than just another Johnny Depp creation.
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In The Ninth Gate, the seriousness of the subject matter is poorly balanced with detached humor. The result is a film that becomes more awkward with every passing minute. Frank Langella is merely a comical figure in the final scene. Fortunately, the great Johnny Depp again comes to the rescue.
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This is the film that convinced me that Depp is a great actor. Polanski didn't need to convince me, but he could definitely have chosen a better script, this one it's as bland and uninteresting as his Frantic. But the film does have a certain amount of mystery and atmosphere, and the ending is very good.
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Very badly made in comparison with the book it’s based on. Only one of the storylines is developed on here and, paradoxically, it is a “less" important one. Even so, the movie itself isn’t outright bad, although this insight into the world of bibliophiles and rare edition hunters isn’t as effective as it could (and should!) have been. Unfortunately the whole thing is spoiled by the crappy ending, Depp tries his utmost and just about succeeds in keeping its head above water.
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The Ninth Gate isn't a completely bad movie, but the horror element is essentially missing. There are moments where even the tension is lost, which can be a reason to stop watching the film. Fortunately, Depp is charismatic enough here for you to navigate this journey with him and be enchanted or disappointed by the specifically peculiar ending that this film possesses. Enthusiasm is lacking, but I don't have a completely spoiled impression either.
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When the denouement itself is severely not worth crap, it's pretty hard to (unbiasedly) judge the rest of it. Still, I'm giving it a shot, and at least as far as the story itself goes, The Ninth Gate is very interesting material for filming. The problem is that the film jumps from interesting mystery waters into C-rated action sequences and (perhaps intentionally) is its own apt self-parody at times. It's just my feeling, but Polanski's direction this time around reminded me at times of a decadent East German aesthetic.
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