Reżyseria:
Ingmar BergmanScenariusz:
Ingmar BergmanZdjęcia:
Sven NykvistMuzyka:
Rolf A. WilhelmObsada:
Robert Atzorn, Heinz Bennent, Martin Benrath, Toni Berger, Christine Buchegger, Gaby Dohm, Erwin Faber, Doris Jensen, Lola Müthel, Ruth Olafs (więcej)Opisy(1)
Opowieść o dramatycznych skutkach gwałtownie rozpadającego się małżeństwa. Peter Egermann jest w strasznym stanie. Nie potrafi poradzić sobie z własną frustracją. W porywie wściekłości gwałci i zabija prostytutkę, znaną jako Ka. Ka to skrót od Katarzyny, a tak ma na imię żona Petera. Teraz pojawiają się sekwencje policyjnego dochodzenia, retrospektywne sceny postępującego rozpadu związku Petera z żoną oraz obrazy ilustrujące jego rozedrganą psychikę. (Epelpol)
(więcej)Recenzje (1)
The nonlinear narrative structure revolving around a fatal moment serves not only to enliven the story and deepen our understanding of the characters. As well as disrupting our chronological perception of the plot, it distorts and relativizes the subjective accounts of the characters involved. I am referring in particular to the friend-psychiatrist whose seemingly objective assessment of the entire tragedy can too easily be mistaken for the key to the whole film. Years of pent-up frustration and complexes from the past, as well as hidden natures, provide a neat framework for explaining some of the crises in contemporary life. However, in this case, one should not forget about the more personal and, in my opinion, the main storyline of the protagonist, i.e., his dysfunctional relationship with his wife. Love, the desire to merge two identities, the longing for complete insight into the other person on the one hand, a constant urge to pull away, and a desire to hurt on the other. And the solution? The protagonist finds the answer in his dream (spoiler: "She turned to the mirror. She's watching me in the mirror. She is lost in her thoughts but breathing heavily. I stand behind her, at an angle... holding a razor in my right hand. She has been watching me the whole time. And now she really sees me." And now she really sees me. They could only "really see each other" at the cost of death, which an innocent victim ultimately paid by chance).
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Photo © Zweites Deutsches Fernsehen (ZDF)
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