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Ísold UggadóttirScenariusz:
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Gisli GaldurObsada:
Kristín Þóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson, Sólveig Guðmundsdóttir, Sveinn Þórir Geirsson, Þorsteinn Bachmann (więcej)Opisy(1)
Lára (Kristín Thóra Haraldsdóttir) jest samotną matką, która ledwo wiąże koniec z końcem. Jest jednak dumna i nie zamierza prosić nikogo o pomoc. Szansą na poprawę jej losu zdaje się być praca w straży granicznej. Kobieta próbuje się wykazać przed nowymi przełożonymi i pomaga w zatrzymaniu pochodzącej z Afryki Adji (Babetida Sadjo), która szuka azylu. Niespodziewanie kobiety zaczyna łączyć więź… (HBO)
(więcej)Recenzje (3)
Given how “trivial” the things dealt with in the film are, it is immensely engaging, thanks to focused
direction that leads the actors in the right way, with detailed narration of feelings and moods
through their facial expressions.
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Netflix has now taken over the Icelanders as well, and in cooperation they filmed an interesting, although a bit depressing drama about the crossing of two not-so-ideal destinies, who briefly share something and then separate again. While the main characters could exchange a little bit more than just those few strictly necessary sentences, the authors have created a believable situation, which could easily happen in real life. I have also enjoyed the beautiful shots of Iceland, which never lose their appeal.
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Stupid social porn (poor single mother, government, refugees, drugs, homosexuality) that picks up screenwriting crutches like Pokémon. Babetida Sajdo is reduced to being a mere vehicle for anguished expressions, people randomly meet each other as if the whole of Iceland were fifty meters wide, and there's always a blonde dude wandering around dishing out apt ad-libs on cue. "And who decided that cats should live in cages?" Good God!
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