Reżyseria:
John CrowleyScenariusz:
Peter StraughanZdjęcia:
Roger DeakinsMuzyka:
Trevor GureckisObsada:
Ansel Elgort, Sarah Paulson, Aneurin Barnard, Finn Wolfhard, Nicole Kidman, Luke Wilson, Willa Fitzgerald, Luke Kleintank, Jeffrey Wright, Denis O'Hare (więcej)VOD (3)
Opisy(1)
Theodore Decker miał 13 lat, kiedy jego matka zginęła w zamachu bombowym w Metropolitan Museum of Art. Tragedia zmienia jego życie w porywającą podróż przepełnioną smutkiem i poczuciem winy, podczas której odkrywa siebie na nowo, szuka odkupienia, a nawet odnajduje miłość. Przez cały ten czas nie rozstaje się z jedyną pamiątką, która przypomina mu tamten straszliwy dzień - obrazem przedstawiającym niewielkiego ptaka przykutego łańcuchem do podajnika, na którym siedzi. Szczygła. (Warner Bros. PL)
(więcej)Recenzje (2)
Donna Tartt's book "The Goldfinch" is a Pulitzer Prize-winning bestseller, and both Stephen King and Michelle Obama like it. So that means everybody likes it. Or does it? The lavish 730-page novel was turned into a long film, which is filled with a number of unusual plots. The cast is interesting (Kidman and Sarah Paulson), and the story around the 17th-century painting is dynamic. Yet despite all the effort, it's still just a story situated around a painting. In parts, the locations are more attractive in Albuquerque than anything else. This brings us back to the primary function of film, to follow places in motion that are too remote for ordinary mortals.
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The Goldfinch wants to be a great story, but its creators found out too late that they couldn't cram everything into it. And yet they tried. The result is a film that wants to deal with a huge number of themes, but in the end has to deal with all of them only very superficially. It's a shame because, at least in the first half, it's a very well-made drama that also looks beautiful. The whole, however, is hardly satisfying.
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