Reżyseria:
David FrankelScenariusz:
Allan LoebZdjęcia:
Maryse AlbertiMuzyka:
Theodore ShapiroObsada:
Will Smith, Edward Norton, Kate Winslet, Michael Peña, Helen Mirren, Naomie Harris, Keira Knightley, Jacob Latimore, Ann Dowd, Liza Colón-Zayas (więcej)VOD (4)
Opisy(1)
Odnoszący sukcesy w branży reklamowej nowojorczyk (w tej roli Smith) przeżywa ogromną osobistą tragedię i całkowicie wycofuje się z życia. Jego koledzy z pracy obmyślają nieoczekiwany plan, który ma na celu zmusić go do stawienia czoła rozpaczy w zaskakujący i niezwykle ludzki sposób. (Warner Bros. PL)
Materiały wideo (12)
Recenzje (4)
A typical American drama featuring a parade of American actors and emotions that couldn’t be more artificial. Unfortunately.
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Sure, it's a tearjerker, and sure, it's meant to squeeze some emotions and a bunch of tears out of you, but in my case, it just didn't work. On the one hand, it is due to the excellent cast, where I enjoyed every actor, on the other hand, there was a surprise in the plot, which I somehow just did not expect, which made it all the more interesting.
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A fairytale built upon artificial foundations. Even though all of the characters go through their own small or big personal crisis or tragedy, in the end, there’s nothing the superstar actor trio couldn’t handle! Not only Collateral Beauty’s creators rely on relentlessly milking emotions out of the audience, the viewer is downright turned into an idiot by the way some stories end up. Watching this movie, I think I was in greater pain than some of the main characters.
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Collateral Beauty lured most viewers in with an amazing cast and confusing trailers that enticed them to see a slightly different film than the one we were served. At least that's how it was for me. I can't say that it was an outright bad film, but I guess I was probably expecting a slightly stronger story that would have moved me more and not forced me to sympathize with the main character Howard too blatantly. Which is a shame in the end, considering the presence of themes like the death of offspring or the musings on the three instances of Love, Death and Time. In short, it's a film that stands mainly on its cast, but which is undermined by a somewhat muddled script.
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