Barry Seal: Król przemytu

American Made is a very straightforward crime comedy without any major stumbling blocks and it makes no effort to face us with any difficult moral dilemmas. It conspicuously imitates the style of Scorsese’s films (pop songs, a narrator intervening in the story and determining what we see and how we see it, attention-grabbing camerawork and editing) and cashes in on the popularity of the TV series Narcos, so it comes across as unoriginal and predictable, but thanks to the smooth (albeit slightly mechanical) narrative and Cruise’s charisma, it is entertaining from start to finish. The position of the main protagonist is unusual (for a Hollywood movie), as he lets himself be dragged along by circumstances and merely accepts outside offers and follows orders dictated to him through almost the entire film. He can demonstrate his ingenuity only in the way he carries out deliveries of certain goods, not in what he actually does. It would almost be possible to interpret him as the embodiment of American pragmatism, the ability to adapt to the given situation and make the most of it for himself, but we know too much about him (compared to the other characters, who are really only types) to perceive him in such an impersonal way, and relatively strong emphasis is placed on the family storyline (which, however, the film handles much more carelessly than The Wolf of Wall Street, for example – you will probably care as little about the protagonist’s wife and children as you did for Barry). Of the films that “comfort” us with the fact that people may be bad, but their governments are worse (War Dogs, American Hustle), this one gets bonus points in my eyes for taking the procedural side of things into greater consideration and for not pretending to be anything better. It’s simply light summer macho entertainment that does everything possible to keep the viewer from getting bored for even a second and, unlike Atomic Blonde and The Hitman’s Bodyguard, it does that very well. 70% (23.08.2017)

Barry Seal is Tom Cruise's one man show. Totally. Actually, there's nothing here but Tom Cruise in a role that was tailor-made for him. As a likeable bastard who can work for three deadly organizations at the same time and still make a damn good living at it, he's downright brilliant. His Barry is an amoral bastard, but with such enormous charm that you'll be rooting for him even as he muddies the waters with Colombian cartel bosses, delivers weapons to Central American paramilitary organizations, and buries his money in suitcases in the backyard. Barry has style, and thanks to Doug Liman and his brisk direction, his adventures are quite watchable. And it's only at the end that you realise that it's actually playing it too safe, that Barry's sort of getting away with everything, lacking a significant antagonist, conflict or even problem, and that it's not actually very interesting. Cruise fans will probably enjoy it to the max, others will be treated to a stylish, broadly entertaining but more or less pointless film. (27.07.2018)

It's a pity that Cruise's best role in recent years doesn't come in a slightly better (understand: better written, built and with a dramatic point) film. American Made flies too smoothly. Especially in the first half, one almost prays for artificial turbulence. But Spinelli's screenplay is a flat track composed of repetitive episodes carried by Tom's charisma and a ready-to-use 80s vibe. Although Liman tries to decently direct the film, he doesn't pull out any extra drive with his 80s magical processes. Fortunately, Cruise enjoys his everyday crook, who generally doesn't ask too many questions, so that the viewer can enjoy him as well. American Made is a solid, but too long episode of Narcos. The film owes almost everything to the Netflix series, but unfortunately also can't cover its limits when it is compared to it. A serious historical topic is thus dismissed by a few shortcuts and jokes, which we know almost literally from Narcos. But the series managed to unexpectedly make a mark. Barry tries to do it in the end, but rather harmlessly. Why ****? Because Tom. So the 4th piece from pure fandom. (25.08.2017)

A slick, incredibly entertaining ride. What else would you expect from Doug Liman, the director who teamed up with Tom Cruise to deliver the brilliant time-loop sci-fi Edge of Tomorrow? Barry Seal is the epitome of an all-American wild card. And I say “American” very deliberately—this kind of epic, larger-than-life story could only come out of the U.S. The beauty here lies in the simplicity: it’s about a guy who realizes, well into adulthood, that his life is painfully boring. With a little twist of fate, he flips his world upside down, without a second thought. His naivety leads to such absurd situations that you’ll be shaking your head, laughing, and wondering if someone could really live a life this outrageous. But with a solid script and dynamic editing, this film is pure fun from start to finish—even if you’re just looking for a total escape. (27.04.2021)

American Made is a funny, fast-paced and, thanks mainly to the excellent Tom Cruise, a really cool chill-out movie that does not try to be dramatic. Which surprises me, because had its satire been a little more piercing, it could have reached the heights of Martin Scorsese. (31.08.2017)