Muzyka:
Michael GiacchinoObsada:
Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J.K. Simmons, Octavia Spencer, Alan Tudyk (więcej)VOD (4)
Opisy(1)
Zwierzogrodu nie można pomylić z żadnym innym miastem. Jest to jedyna w swoim rodzaju współczesna metropolia zamieszkiwana wyłącznie przez zwierzęta. W Zwierzogrodzie nie jest ważne, jakim stworzeniem jesteś - czy największym z lwów, czy może malutką ryjówką. Możesz tam zostać kimkolwiek chcesz. Ale nie wszystkie marzenia spełniają się od razu... Gdy do miasta przybywa ambitna policjantka Judy Hopps, szybko przekonuje się, że jako pierwszy królik zatrudniony w miejscowej policji, nie będzie wcale miała łatwego życia. Robi więc wszystko, by udowodnić swoją wartość i... zdobyć upragniony awans. Na jej drodze pojawia się jednak gadatliwy i chytry lis, Nick Wilde. Chcąc wykazać się za wszelką cenę, Judy przyjmuje sprawę, w której musi rozwiązać pewną kryminalną zagadkę. Jej partnerem w śledztwie zostaje nie kto inny jak wygadany i szczwany Nick. (Disney)
(więcej)Materiały wideo (26)
Recenzje (14)
Zootopia cleverly combines the narrative formula of a cop movie about a rookie learning the ropes, a (neo-)noir crime film and socio-political satire. The individual levels are integral to each other and it doesn’t happen that, for example, a case is closed after an hour and a new story begins. It remains necessary to find out why the animals reverted to a feral state, which is why Judy has to return to her hometown for inspiration. There, thanks to the reformed Gideon, she discovers that the treacherousness of some animals is not connected with their origin, but with their nature. The action scenes also have a deeper dramaturgical foundation, taking as an example the Little Rodentia chase scene, during which Judy pursues a thief, who later helps her track down who is behind everything, and also saves the life of the mob boss’s daughter, who later plays her own role. Shortly before the end, Judy can use her acting skills, a demonstration of which we first saw in the opening scene, which leads to an elegant conclusion. It is a joy to see how the filmmakers took care to ensure that the individual components of the narrative worked together and that no motifs seemed incidental. In addition to its textbook conciseness, the film is also delightful with its references to The Godfather and Mission: Impossible (chase on/in a train) and intelligent humour (the now almost cult scene with sloths), which requires a bit more attention and patience from the viewer than other animated studio films. An added bonus that elevates this solid animated multi-genre feature to the level of one of the best American films of recent years is the sensitively composed message (very topical yet universal) about the equality of all animals, the consequences of prejudice, the drawbacks of dishonest political gamesmanship and the risks associated with speaking recklessly. Though the film does not criticise the police – on the contrary, it uses the militarisation of the police for one of the final gags – it points out that those who have great power and great influence on public opinion should choose their words especially carefully. Zootopia may not offer as elaborate a world as some Pixar films or the abundance of straightforward entertainment provided by Madagascar 3, but emotionally, narratively and intellectually, it is the pinnacle of contemporary animation and (perhaps) a future Disney classic. 90%
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This is the best human rights agitprop, and I only take issue with the creative cowardice regarding the fundamental moral issue of predator eating habits. Otherwise, it is in all respects an absolutely fantastic crime film, a top-notch buddy movie, a dynamic action ride, and an all-round reference (Jesse and Walter are amazing!) containing a spectacle that will define the term "feel good" for a long time to come.
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Animated films are one of my lesser favourites and I watched Zootopia before I knew anything about it, and this nearly-billion dollar hit and is indeed a success even for me. The film isn't so much for the little ones, it is a colourful whodunit driven by buddy humour and full of references to better known films that smaller children certainly won't get. It has amazing pacing, beautiful animation, literally breathtaking, all the details and animals look wonderful – the central duo is excellent: the rabbit is hilarious, the fox is properly cunning and smart. And on top fo that, the frequent twists are very unexpected and intelligent. Who knew that underneath the animated veneer was such a polished film that also tackles world issues like bullying and racism. The scene with the sloth is the highlight of the film !!! :) 100%
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Ananimated moviethat combines adult life with an animal life intended for children. Zootopia is cute, kind, funny and here and there, there’s a stellar joke for the adults watching, because the universe brings us true gifts every other day. I even think that the sloths at the DMV were probably the best scene I’ve ever seen in a 3D-animated movie. However, at the same time, it still maintains a pleasant, cute and childish wit that the even children will appreciate. Zootopia was simply a success.
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A crime movie in the style of Shane Black :-). The sloths made me laugh like nothing in the past few years has done. I literally cried. The animals look super cute and there’s a bunch of playful details and apt references to the real human world as well as to classic movies. Moreover, the film has an additional message for today’s Europe that its makers probably didn’t even intend to send. I won’t add a fifth star only because the idea behind Zootopia is not as strong as in Inside Out. Zootopia is “only” perfect fun.
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