Reżyseria:
Antoine FuquaZdjęcia:
Mauro FioreObsada:
Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byeong-heon Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett, Peter Sarsgaard (więcej)VOD (3)
Opisy(1)
Armia bandytów terroryzuje małą wioskę na pograniczu amerykańsko-meksykańskim. Zrozpaczeni farmerzy zwracają się z prośbą o pomoc do grupy rewolwerowców. Siedmiu najemników postanawia stawić czoło przeważającym siłom przeciwnika, choć wydają się nie mieć szans. Czy najtwardsi rewolwerowcy będą w stanie uwolnić wioskę spod bandyckich rządów? Czy zapewnią mieszkańcom spokój i bezpieczeństwo? (Forum Film PL)
(więcej)Materiały wideo (5)
Recenzje (11)
The title makes the film a disservice than anything else. For example, many viewers would have taken it better to call it "Fast and Brisk", and without the inevitable (whether greater or lesser) disappointment that the duo of absolute classic movies of the silver screen, which have survived and will survive for decades, is remade in the form of an disposal relaxing movie that will soon be forgotten. On the other hand, there is the not inconsiderable fact that although it is a western second-rate one-time watch, it is a surprisingly fun and properly driven Western second-rate one-time watch, which is not afraid to use the screen to the fullest. In other words, it is consumable and unnecessary, but not bad. And in purely genre moments (graded tension before the first big shootout, etc.) it will keep you entertained. That´s for sure.
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The Equalizer times seven. Fuqua doesn't show off that much, and so he only pulls a truly sovereign treat out of his sleeve once. The rest of it is standard action routine that's hidden far below his directorial standards, making the central seven whine even more in their uninterestingness, where about 1.5 charisma works in the flatness of the coffin planks. I've managed to miss out on the original for years, so I was expecting more of a B-action orgy in a Wild West setting than a major creative comparison, but the rescue of the White House chief worked more sovereignly.
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Although the original is a film of my youth, I was very pleased with the remake and can declare it a success! The Magnificent Seven is my very first movie in the cinema without any subtitle support, so I might have missed some of the jokes, but I still enjoyed it to the max. The cast is excellent, with the best being Denzel Washington, who enjoys the role to the hilt, he is natural and looks like he was born in Western, his ultimate mode in the finale is a joy to watch. Chris Pratt is a decent second to him, he is definitely a new star, a likable man guy full of charisma who entertains the audience with his humour and magic (we will see a lot more interesting things from him in the future). I personally enjoyed Byeong-heon Lee, he warmed my Asian heart with his knife tricks, which again was a joy to watch. Ethan Hawke and Vincent D'Onofrio didn't shine too much. In terms of action, there are only two major set-pieces, with the final one being perhaps half an hour long and the biggest roar in the wild west we've ever seen. Very intense, explosive, suspenseful, loud and emotional! I found the original better in story building and character introduction, but here the action was more polished and the visuals more stylish (which makes sense). I recommend it. Story 6/10, Atmosphere 9/10, Gore 3/10, Visuals 9/10, Action 10/10, Suspense 8/10, Humor 6/10. Entertainment 8/10, Scares 0/10. 85%.
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Condemning it because of nostalgia or resistance to correctness is, of course, stupid. The film has problems elsewhere. The cast is strong, but Fuqua doesn't get much out of it, especially in the first half, just a demonstration of photogenic faces and poses. Things come to light in the final battle, and until then, sometimes a one-liner here and there sparkles, which Nic Pizzolatto knows how to write. The last third is a pleasant old-school battle with a good pace and quite pleasantly chosen deaths in the group. The problem of The Magnificent Seven is precisely that they are somehow indecisively straddled between a classic western and a buddy action film with a more modern style. When in the end there is a "Technicolor" palette with tombs and the notorious melody of Elmer Bernstein, it feels completely false. The golden age of the western is gone and this group rather swiftly passed it by. Which, given its composition, is actually too little. Sympathetic ***
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I have to admit, the 2016 remake of The Magnificent Seven worked for me. I ended up giving it four stars, and honestly, I’m going to skip over the usual gripes I have with modern Hollywood and just say this was a solid blockbuster. Sure, the lineup of the seven is a pretty on-the-nose mix of white, Black, Asian, and everything in between, and yes, the political correctness is off the charts—but let’s not dwell on that. What the director nailed was the action and the atmosphere. It’s a simple, no-fuss, entertaining ride, and I had a lot of fun with it. It doesn’t feel like a lazy cash-grab remake, but more like a tribute to the original legends, and the cast definitely delivered. They worked so well together, making it a joy to watch—except for the villain, who felt like a bit of a one-dimensional idiot. But if you know the original, you’ll know he gets his just desserts in the end, and trust me, it’s worth sticking around for. All in all, a fun buddy-action flick, which Hollywood doesn’t churn out like it used to. Definitely a nice surprise.
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Galeria (66)
Photo © Metro-Goldwyn-Mayer (MGM)
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