Reżyseria:
Louis LeterrierZdjęcia:
Oliver WoodObsada:
Sacha Baron Cohen, Mark Strong, Isla Fisher, Rebel Wilson, Gabourey Sidibe, Penélope Cruz, Barkhad Abdi, Scott Adkins, David Harewood, Tamsin Egerton (więcej)VOD (4)
Opisy(1)
Nobby (Sacha Baron Cohen), uroczy, lecz nieco ociężały umysłowo angielski kibol, ma wszystko, czego mógłby pragnąć facet z biednego rybackiego miasteczka, włączając w to dziewięcioro dzieci i szalenie atrakcyjną dziewczynę w Północnej Anglii (Rebel Wilson). Brakuje mu tylko jednego, jego młodszego braciszka, Sebastiana (Mark Strong), którego bezskutecznie szukał od 28 lat, kiedy to zostali rozdzieleni. Wreszcie sukces! Nobby wyrusza, by spotkać się z bratem! Nie zdaje sobie jednak sprawy, że jest on nie tylko jednym z najbardziej skutecznych agentów z licencją na zabijanie MI6, ale że właśnie odkrył plany globalnego ataku terrorystycznego. Ścigając się z czasem, niesłusznie oskarżony Sebastian zdaje sobie sprawę, że jeśli chce ocalić świat, będzie potrzebował pomocy największego idioty. (Imperial Cinepix)
(więcej)Materiały wideo (8)
Recenzje (11)
Surprise of the year! Grimsby is as essential and groundbreaking for the comedy genre as I Spit On Your Grave was for exploitation. The biggest comedy hit since Shut Up! Sacha Baron Cohen goes bonkers here and delivers the best comedic and situational humor of his career. There is an incredible amount of allusions to movies, actors and celebrities, and snappy gags at intervals of every five minutes, and scenes that will leave a strange aftertaste in your mouth. The best thing in the the film is the action, which is so good that it surpasses even some action films (it's brisk, brutal, gritty and original, though furiously edited, it has drive). The icing on the cake are Scott Adkins' fight with Borat, the elephant bukkake party and the testicle sucking. I feel like watching it again. Awesome stuff. 100%
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Some really juicy and delicious jokes (Radcliffe and Trump, "Do you have to shoot at everything?!") side by side with Mr. Cohen's overt sexual deviance and all manner of anal exploitation, which, while it makes you laugh heartily now and then, is life-threatening to eat with the film, watch it after a romantic dinner, and sometimes just watch it – things have been going downhill with Cohen and his originality since Borat, straight towards constantly surpassing the extremes of imaginary comedic (dis)taste, but on the other hand, after the terrible Bruno, Sacha manages to produce a story that holds together and, by engaging A-list actors, proves that the film world simply can’t find a more entertaining and flashy presentation of boorishness and imbecility anywhere else than his. A big thumbs up to Mark Strong, who also knows how to make a proper joke out of himself and obviously enjoyed this unprecedented ass-riding as much as I did for the most part. 65%
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Sacha Baron Cohen goes a little farther (or, ahem, deeper) with each film, and this time it was a little too far (deep) for my tastes in places. But what can I say, I had more fun than with Bruno and a bit more than with The Dictator, and I think that once in a while a comedy like this doesn't hurt either. My admiration goes to Mark Strong, who went all in.
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I would be interested in knowing if Penélope Cruz knew when she signed on to this project that she would appear in the same film as Mark Strong’s testicles, Gabourey Sidibe’s crotch and a hectolitre of elephant ejaculate. The film succeeds in presenting all of the above without coming across as a random sequence of gags (though it’s not far from it) and without the punchline (always) consisting in the distastefulness or imbecility of the given joke. With his guileless rejection of what is proper in a civilised society, Cohen’s Nobby, proudly claiming to be English scum, fulfils a purpose similar to that of the earlier Ali G and Borat – he shows the pretence in which all intellectuals, petty bourgeois and snobs live, as they reveal their true face and true intentions when confronted with a man whom they despise too much to take seriously (among other things, this year’s American presidential election showed us what that can lead to). The other characters are (unintentionally) led to being exposed by Nobby, and the viewer is then (intentionally) led by the redneck jokes, which are drawn out to the point of absurdity. Sure, The Brothers Grimsby is very much a hit-or-miss affair, the editing could have been less frantic and the seriously depicted flashbacks (and the whole storyline about the importance of family) disrupt the pace and tone of the narrative, but I still found it funnier and more subversive than most mainstream comedies. The fourth star is for giving Donald Trump AIDS. 70%.
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Sometimes good, but sometimes intentionally brutally disgusting. So disgusting, in fact, that it goes beyond disgust. And I deliberately played this comedy right after Animal with Belmondo to realize what kind of comedies were made back then and what kind of comedies are made today. And I have to admit that I much prefer the kind of comedies they madeback then. Now they only seem to be fighting for their moment in the sun by trying to fit as many disgusting things as possible on an eight-millimeter film.
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Galeria (39)
Photo © Sony Pictures Entertainment
![Grimsby - Z filmu - Jon-Jon Lockwood, Kyle Rowe, Claudia Adshead, Shaun Thomas, Rebel Wilson, Sacha Baron Cohen](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/492/160492129_04f78a.jpg)
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