Reżyseria:
Robert SchwentkeZdjęcia:
Florian BallhausMuzyka:
Joseph TrapaneseObsada:
Shailene Woodley, Theo James, Kate Winslet, Ansel Elgort, Miles Teller, Jai Courtney, Zoë Kravitz, Naomi Watts, Maggie Q, Daniel Dae Kim, Octavia Spencer (więcej)VOD (1)
Opisy(1)
Nastoletnia Beatrice Prior w imię miłości porzuciła uporządkowany świat i teraz, naznaczona piętnem Niezgodnej, musi zmagać się z konsekwencjami swojej decyzji. Podjęta przez nią walka może mieć wpływ nie tylko na jej osobistą przyszłość, ale także wstrząsnąć posadami otaczającego świata. O ile oczywiście uda jej się udźwignąć spoczywające na niej brzemię, by w ogarniętym wojną domową świecie zdać niespodziewany i trudny egzamin dojrzałości. A jednocześnie nie utracić tego, na czym zależy jej najbardziej. (Monolith)
(więcej)Materiały wideo (35)
Recenzje (7)
A B-movie version of Hunger Games, just less political, less pretentious, and much more straightforward with a similarly likable protagonist and definitely better chemistry between the leading duo. Unfortunately, they were unable to avoid the typical trademarks of second-rate PG-13 entertainment: an embarrassingly predictable script, unbelievable emotional dilemmas, and hopeless plot twists (someone is about to die, and snap, the story takes a turn, and someone saves them at the last moment). Nevertheless, it still goes by significantly faster than the third installment of Hunger Games, and you won't have that feeling of being used because your expectations for the Divergent are not that high, though they should be taken into account.
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Continuing from last year's impressive adaptation of excellent source material is not exactly an easy task, especially if this time you have something slightly less gripping to work with. Given the completely new creative team, I understand the completely different feeling and surprisingly nod approvingly at the omission of drawn-out book passages (the stay with the Factionless) and the fact that the main trademarks of the series still feel divergent enough. However, the biggest triumph remains the phenomenal casting. That year, during which the actors of the main group of youths (Tris, Four, Caleb, Peter) gained experience elsewhere, is reflected in their performances in a tremendous way, and it is their talent that completely makes us forget the unstable narrative foundation on which the whole saga ultimately stands.
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These teen novels from the pen of female authors, wrapped in pseudo sci-fi/fantasy crap are an unfortunate phenomenon of today's pop culture. Paraphrasing Simona Stašová in Cozy Dens: it cost so much money, and it's so stupid. I felt genuinely sorry for the respected character actresses Jodie Foster and Naomi Watts. I know how expensive mortgages in Florida can be, but still, do these two ladies need to do this?
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Slightly less interesting than Divergent, but still a solid blast in the teen action movie genre. Let the bookworms eat up the political, talky and in-your-face The Hunger Games, I prefer spectacular entertainment and Insurgent is undoubtedly that. There's more action, there's more shooting and there's some fighting, which I consider a plus. Some scenes are built up with tension all the way to the max, which I warmly welcome. The two leading actors are great, the chemistry between them works to a tee, and the highlight is definitely the simulation again, I was holding my breath there. So for me again satisfaction, the action, the story, the pacing all works. 80%
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Without prior knowledge of Divergence, this film is virtually unwatchable. The directing is worse, the film is stupider, and it has an even weaker plot and more empty dialogues. The action scenes are a slow, there is almost no emotional connection with the protagonists, and there are plenty of dead spots during which nothing happens. But the overall impression of Insurgent is that nothing happens in it for almost the entire runtime, and it can't be saved by any of decent actors, or by technically-successful digital tricks. The film is about nothing, the main protagonist deals endlessly with her traumas, and all we can do is shake our heads at how the futuristic world of Insurgent is desperately dysfunctional and meaningless even within itself.
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