Reżyseria:
Mikkel NørgaardScenariusz:
Nikolaj ArcelZdjęcia:
Eric KressObsada:
Nikolaj Lie Kaas, Fares Fares, Sonja Richter, Peter Plaugborg, Per Scheel-Krüger, Troels Lyby, Øyvind B. Fabricius Holm, Søren Pilmark, Divya Das (więcej)VOD (1)
Opisy(1)
W tajemniczych okolicznościach, z pokładu promu, znika piękna parlamentarzystka - Merete Lynggaard. Zakrojone na szeroką skalę śledztwo nie przynosi rezultatów. Pięć lat później duński parlament podejmuje decyzję o utworzeniu Departamentu Q, specjalnej jednostki badającej niewyjaśnione zbrodnie. Na jej czele staje detektyw Carl Mørck. Jego błyskotliwą karierę w wydziale zabójstw przekreśliły wydarzenia, w wyniku których śmierć poniosło dwóch policjantów. Mørck, wspierany przez nowego partnera Assada, rzuca się w wir pracy. Kierowany przeczuciem, prześwietla sprawę Lynggaard i odkrywa, że zniknięcie kobiety nie było przypadkowe. Rezultaty śledztwa zaskoczą wszystkich... (Kino Świat)
(więcej)Materiały wideo (1)
Recenzje (8)
A screenplay for a decent TV detective film adapted to the big screen by adding attractive visuals and a stellar cast.
However, the film is merely average due to the absence of moments of surprise, its simple story and the presence of
genre clichés. The Girl with the Dragon Tattoo was more sophisticated and multilayered.
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I feel like once you fall in love with Scandinavian crime investigation movies, that love never fades away. That’s why it makes me so happy that out of the whole range of books I’ll never manage to read, there’s one that the Scandinavians decided to make into a movie. I didn’t yet manage to get through the Department Q series from Olsen, but The Keeper of LostCauses grabbed my attention at first glance. It was worse when I started watching the movie – it took me about half an hour to get used to Carl. His character was very bland and wishy-washy, but Assad made up for it as his character was likeable from the very beginning. But eventually, I got used to both of them as investigators and what really helped was the story itself, which was outright flawless. The ending was a bit unfinished and half-assed, but I have to give it at least four stars just out of the excitement and joy that the Scandinavians decided to shoot such a movie.
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A good old-fashioned crime story from the North. I don't seek out the crime genre, but once every six months it doesn't hurt to watch something that entertains, surprises and intrigues from this genre. The highlight of the film for me is the scene with the slow motion shot of the falling car, which was literally breathtaking... Decent direction, actors and plot. For fans of the crime genre I recommend it. 65%.
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A very model, stylish, even pre-stylized detective story, which replaces the view, sarcasm and momentum of the original with a number of formal and motive clichés. Mikkel Nørgaard has his finger on the pulse of the time period, because he participated in the serial political drama Borgen. Compared to the horribly cowardly and impotent film The Hypnotist, The Keeper of Lost Causes is much more photogenic, fiercer, and sharper, though sometimes there are attempts to make the viewer feel out of balance unnecessarily beyond self-purpose. I have a more fundamental problem with the character of Carl, who in the film version is a textbook example of a Nordic loner and a guy with depression... but the book prototype is much more humorous and lively, which distinguishes him from the generic stack of frowning guys on vodka with Xanax. Lie Kaas may be able to play his star power at home, but his Carl is simply not an interesting character, and the protagonist's interaction with his film partner Assad is at about a quarter of the throttle compared to the book. I could easily imagine this detective story being a little longer, bolder and more pampered. If the creators focused as much attention on the characters that they do on tearing out teeth, the film could be more than a solid series pilot with a metrosexual visual. [65%]
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An unfortunately executed adaptation. It is based on an ironic (and funny) anti-bureaucratic toned, House-style novel by Mørck and a psychological depiction of the investigator and the victim. Contrarily, the standard genre plot is more an essential excuse linking everything together than anything else. But here the two most special assets that make this different from the regular productions of this genre are thoroughly overshadowed and the stress is put purely on the crime storyline; and that is as run-of-the-mill as is possible in this genre.
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