Reżyseria:
Katrin GebbeScenariusz:
Katrin GebbeZdjęcia:
Moritz SchultheißObsada:
Julius Feldmeier, Sascha Alexander Geršak, Annika Kuhl, Gro Swantje Kohlhof, Til-Niklas Theinert, Daniel Michel, Uwe Dag Berlin, Christoph Jacobi (więcej)Opisy(1)
Młody chłopak, Tore zainspirowany postawą rówieśników z religijnej wspólnoty Jesus Freaks, przypadkowo poznaje na pozór normalną rodzinę. Nowi znajomi wydają się gościnni - proponują Tore zamieszkanie z nimi na kampingu. Wkrótce wszystko się zmienia. Benno, głowa rodziny postanawia wystawić na próbę wiarę młodego zapaleńca religijnego, który w chwilach zwątpienia powtarza sobie: "Nic złego nie może stać się temu, kto trzyma tarczę wiary". Obserwując - z przerażeniem i niedowierzaniem - losy wychudzonego ostatniego ze sprawiedliwych trudno uwierzyć w taką otuchę. Naturalistyczny, brutalny i obnażający najgorsze oblicze człowieka film o tym, jak niedaleko od siebie znajdują się drogi do Boga i do piekła. (Bomba Film)
(więcej)Materiały wideo (3)
Recenzje (3)
This is a hellish, evil, harsh and bleak debut based on a true story!! The film convincingly depicts how today's society treats vulnerable and defenseless individuals. The protagonist, Tore, who professes to believe in Jesus, finds himself in a seemingly peaceful German family in the countryside, but this is where all the fun ends and domestic violence of the deepest grain begins! We are subjected to the most intense psychological pressure imaginable. Weaker individuals are taken away after the film! I too thought I was going to die while watching, my breathing got worse, my heart rate increased, really no fun! During one scene you will even get winded! Germany reaches the pinnacle of atrocities against human beings with this piece. Hard to take, but damn good. For the hardened. Hell!
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I’m prevented from truly relating to this painful odyssey by the fact that the sufferer underwent it repeatedly and
voluntarily. Cynically speaking, it’s a case of “you've made your bed, now lie in it.” Nothing Bad Can Happen does not
criticize faith, nor does it advocate idealism or punish evil stemming from the dark corners of humanity. It only
contemplatively lets them enter into an extreme and tragic confrontation. Courageous and powerful.
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It’s something like a cross-breed between the German film Stations of the Cross and the Greek one Miss Violence. It’s not easy to watch, and gets heavier the closer it is to the end. But I have a little problem with the credibility, since the film is inspired by real events. Tore is portrayed as someone with a blind faith, as a naive boy, but not as a retard. But to allow those atrocities to be committed to him, he has to be at least a little retard (which I guess he actually was). And it wasn’t about him, either. He wanted to protect that young girl whose name I’ve already forgotten, but as a non-retard he would have assessed the situation in a completely different way. Moreover, when it comes to his decisions as a saviour, his repeated lies feel inconsistent (bruises caused by playing football); a fierce believer like him wouldn’t act that way.
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