Tajemnice Laketop

(serial)
  • Wielka Brytania Top of the Lake
Spot telewizyjny 2
Thriller / Suspens / Kryminał / Dramat
Australia / Wielka Brytania / Nowa Zelandia / Stany Zjednoczone, (2013–2017), 11 h 6 min (Liczba minut: 45–60 min)

Scenariusz:

Jane Campion, Gerard Lee

Muzyka:

Mark Bradshaw

Obsada:

Elisabeth Moss, Thomas M. Wright, Holly Hunter, Peter Mullan, Michelle Ang, Jacek Koman, David Wenham, Jay Ryan, Cohen Holloway, Lucy Lawless (więcej)
(inne zawody)

Serie(2) / Odcinki(13)

Opisy(1)

Elisabeth Moss wciela się w rolę detektyw Robin Griffin, która bada sprawę tajemniczego zaginięcia dwunastolatki. Małoletnia Tui jest w piątym miesiącu ciąży, jednak nie chce zdradzić kto jest ojcem dziecka. Kilka dni później dziewczynka znika w niewyjaśnionych okolicznościach. W kontynuacji zatytułowanej China Girl akcja skupia się wokół śledztwa w Sydney. Griffin musi odkryć tożsamość niezidentyfikowanej kobiety, której ciało zostało znalezione na plaży. (Best Film)

(więcej)

Recenzja użytkownika Malarkey do tego serialu (2)

Season 1 (2013) (S01) 

angielski Top of the Lake is... intense. Really intense. First off, coming from the Lord of the Rings era, I always thought New Zealand was full of chill, nature-loving folks. But this show? Not so much. It's also incredibly feminist—almost to the point where I'm shocked there are any halfway normal male characters at all. Most of the guys are just way off, and I really struggled to connect with the cast. Even though it's a solid crime drama, it gives off the vibe that the entire area is inhabited by psychopaths instead of regular people, which is definitely a problem. That said, it's still a fascinating watch. I’m curious to see what season two brings—I'm guessing Australia’s next in line to get roasted, and maybe it deserves it more. ()

China Girl (2017) (S02) 

angielski I was hoping the second season would bring some fresh changes—new setting, new cast—it had potential. But no, it didn’t. It carries the same vibe as the first season. Sure, there’s a new case, new characters, and Australia replacing New Zealand, but the overall result feels exactly the same. The characters are still annoying, with Elisabeth Moss being even more grating than in season one. Jane Campion’s direction is unapologetically feminist, which is fine, but for some reason, her work always leaves me feeling pretty uncomfortable as a guy. ()