Reżyseria:
Lasse HallströmScenariusz:
Simon BeaufoyZdjęcia:
Terry StaceyMuzyka:
Dario MarianelliObsada:
Ewan McGregor, Emily Blunt, Amr Waked, Kristin Scott Thomas, Catherine Steadman, Tom Mison, Rachael Stirling, Tom Beard, Jill Baker, Conleth Hill (więcej)Opisy(1)
Co mogło połączyć dwójkę tak różnych ludzi? Zamknięty w sobie Fred (Ewan McGregor) pracuje dla rządowego departamentu ds. Rybołówstwa i nie może odnaleźć życiowej drogi tkwiąc w nieudanym małżeństwie. Piękna i odnosząca sukcesy Harriet (Emily Blunt) jest energiczną managerką w wielkiej korporacji. Poznają się za sprawą pewnego szalonego marzenia jemeńskiego szejka, który chce sprowadzić ławicę łososi na… pustynię! W sfinansowanie projektu zaangażowany jest brytyjski rząd - władze Wielkiej Brytanii za wszelką cenę szukają atrakcyjnej historii dla mediów. Dzięki niesamowitemu, acz przepełnionemu wiarą i nadzieją, planowi jemeńskiego szejka Fred i Harriet przypomną sobie co oznacza dawno przez nich zapomniane słowo: szczęście. (Monolith)
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Recenzje (7)
I will give it three feeble stars, but the project needed a different approach and a different director. The subject matter directly called for a satire and ironic comedy genre, but Lasse Hallström is by nature a poet and romantic, so despite his undeniable directorial qualities, it ultimately feels barren. The solid cast is also not properly utilized due to the problematic screenplay. Overall impression: 50%.
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A deadly combination of fishing philosophy, lifestyle mysticism, advertising kitsch and great actors. And by the way, this is another film that stands on a certain premise and denies it by its very nature (this is becoming such a nice tradition). Salmon is a fish that swims upstream, whilst this is an obese carp from the pond. And it stinks from the head down.
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Salmon Fishing in the Yemen has both screenplay and actors to support it. McGregor is right on the border between nice guy and eccentric jerk and he and Blunt work nicely together. The A-grade cutting British humor and the absurdity of the whole idea becomes much more serious towards the end. Hallström serves us on a silver platter not just salmon, but also one of the most pleasant romantic comedies of the past few years.
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Fewer minutes, less of the rich, kind sheik, less “lemonade" during the salmon finale, but on the other hand greater portions of the perfect bureaucratic satire (and why not just a straight comedy à la Yes, (Prime) Minister for the Kristin Scott Thomas/Conleth Hill) duo... That would have helped Hallström from falling into the “pleasant, but utterly humdrum" category. P.S.: McGregor is wrongly type-cast in his role; does anybody (women) find his boring, hen-pecked, dry pen-pusher act convincing? It’s like having Halle Berry play Precious.
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I’ve recently seen a similarly goofy movie, though a little less well-known than this one. It was called Flicker. Like Salmon Fishing in the Yemen, it was absurd and it was very nice to look at. In the same way, however, I couldn’t get over the absurdity and somehow couldn’t get rid of the impression that even though the idea is pleasant, the execution is very nice and the actors play brilliantly, I’ll probably never watch this film again and it won’t bother me at all.
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