Reżyseria:
Jaume Collet-SerraScenariusz:
Brad IngelsbyZdjęcia:
Martin RuheMuzyka:
Tom HolkenborgObsada:
Liam Neeson, Joel Kinnaman, Bruce McGill, Ed Harris, Vincent D'Onofrio, Genesis Rodriguez, Common, Boyd Holbrook, Holt McCallany, Malcolm Goodwin (więcej)VOD (4)
Opisy(1)
Pochodzący z Brooklynu gangster i niezawodny płatny zabójca Jimmy Conlon (Neeson), niegdyś znany jako Grabarz, najlepsze lata ma już za sobą. 55-letniego mężczyznę, przez lata najlepszego przyjaciela bossa mafii Shawna Maguire’a (Harris), prześladują grzechy przeszłości. Przez ostatnie 30 lat nieustannie depcze mu też po piętach zawzięty detektyw (D’Onofrio). Wydaje się, że ostatnimi czasy Jimmy może znaleźć pocieszenie jedynie, zaglądając do kieliszka. Kiedy jednak jego syn Mike (Kinnaman), z którym od dawna nie utrzymywał kontaktów, staje się celem, Jimmy musi dokonać wyboru pomiędzy przestępczą rodziną, do której dołączył, a swoją własną, którą porzucił wiele lat temu. Mike musi uciekać, a Jimmy ma tylko jedną szansę odpokutowania za błędy przeszłości. Chce uchronić syna przed losem, który jak sądzi, pisany jest i jemu samemu... czyli przed znalezieniem się po niewłaściwej stronie lufy pistoletu. W obliczu niebezpieczeństwa Jimmy musi w ciągu jednej nocy podjąć decyzję, komu jest winien swoją lojalność i przekonać się, czy wreszcie uda mu się wszystko naprawić. (Warner Bros. PL)
(więcej)Materiały wideo (9)
Recenzje (8)
This quality dramatic family background story is spiced up with decent action and the Collet-Serra-Neeson trilogy has a very impressive finale. Bad luck and coincidence play the leading role, together with a boozy Santa suffering from remorse. The fantastic Ed Harris’s pep talks with Liam Neeson commands respect and his view on things makes sense. By coincidence, the evil Gravedigger is also the main protagonist who leaves piles of dead bodies lying in pools of blood, this time for justifiable (but selfish) reasons. Kinnaman Jr. is really fine, thinks for himself and doesn’t become too annoying during the story (which is important). A perfect action movie that I would gladly watch again.
()
Standard four-star Liam Neeson flick, but I can't help being slightly disappointed. With an attractive plot, the film had the makings of the action movie of the year, but it didn't happen. What didn't really impress me here was Ed Harris, a poor choice of villain (no intense, threatening or intelligent dialogue came out of his mouth and he's too old to fight, something Jaume Collet-Serra deprived us of). I even missed an intelligent detective here (too bad Forest Whitaker wasn't in this instead of Taken 3). The serving of action comes more or less after 45 minutes and has a lot to offer. Some interesting fights finally in decent editing and without shaky camerawork, decent shootouts, chases, the occasional nice head shot (not overly brutal though) and an excellent atmospheric scene in a tenement building, which was the biggest highlight of the film, definitely spiced up by the assassin Common. The old-school shotgun finale doesn't disappoint either. Good, but could have done with a bit more. 75%
()
Neeson's already in his standard box, and Serra has definitely parked himself in the position of a decent thriller craftsman. The result is improved a lot by the remaining ensemble cast, and in turn, dragged down by the fact that most of the dialogue speeches in the second half are merely empty and stretch the film to an unsympathetic length.
()
Liam Neeson and Jaume Collet-Serra are a safe bet for me for the third time already. I was so sure the film was good, I couldn’t miss it in the cinema. Even though the ticket was pricy. Someone could feel weird about the fact that this rather gloomy dark crime movie has a bit too many special effects. I would survive without them too. On the other hand, it was those effects that made it so gloomy and dark. Liam Neeson does not start in the best position, but the director gradually pulled me into the quite straightforward story, which closes the circle of one mafia gang in the cruelest way. However, Liam Neeson, Ed Harris and Joel Kinnaman gave it such an amazing charisma that I devoured the movie. And I don’t mind at all that Liam keeps portraying the same character for years. I started to call his movies ‘Neesons’ for this very reason. I hope this is not his last movie.
()
The pitting of Ed Harris against Liam Neeson is the best thing in this film. And to make it into guys-only entertainment par excellence, casting Vincent D'Onofrio and Nick Nolte as their sidekicks was an equally fortunate choice. But it does not change the fact that: 1) almost all of the characters are
nut-jobs who literally deserve to die, 2) it is once again based on a clearly defined genre template and 3) it focuses more on superficial formal effectiveness than on telling an honest crime drama such as We Own the Night. Now that was a genre movie deserving of four stars in my opinion. And it
doesn’t lack shootouts or an exciting car chase.
()
Reklama