Reżyseria:
Patty JenkinsScenariusz:
Allan HeinbergZdjęcia:
Matthew JensenMuzyka:
Rupert Gregson-WilliamsObsada:
Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston, Elena Anaya, Lucy Davis, Ewen Bremner, Lilly Aspell, Saïd Taghmaoui (więcej)VOD (6)
Opisy(1)
Zanim stała się Wonder Woman, była Dianą, księżniczką Amazonek wyszkoloną na niepokonaną wojowniczkę. Wychowała się na odległej, rajskiej wyspie. Pewnego dnia rozbił się tam amerykański pilot, który opowiedział Dianie o wielkim konflikcie ogarniającym świat. Księżniczka porzuciła więc swój dom przekonana, że może powstrzymać zagrożenie. W walce u boku ludzi, w wojnie ostatecznej, Diana odkrywa pełnię swojej mocy... i swoje prawdziwe przeznaczenie. (Warner Bros. PL)
(więcej)Materiały wideo (12)
Recenzje (18)
This is for me by far the most interesting origin story that DC Comics, and in fact all of the Marvel comics combined, have done to date. You can see that it was made by a woman, so the emphasis is not on CGI, but on the story and it works perfectly. The juxtaposition of wide-eyed Diana vs a new, uncharted world works great and brings a lot of funny situations (the whole cinema was laughing), the setting of the story in World War I is original and unorthodox in comics, and the CGI orgy at the end is easy to digest. Plus it has a strong anti-war appeal, so another thumbs up. And Gal Gadot? As of today, she’s my new heroine. Irresistible in her righteous anger, honest with her astonished surroundings, and not only charming but – how to say – emancipated in the right way, girls must love this.
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I don't know. It didn’t bother me, but if I could sleep two hours longer instead of Wonder Woman, I'd probably consider it time better spent. The opening on the island of the Amazons is a feast for the eyes, the action sequences are fine until the Snyder-like CGI-mess kicks in, where everything bangs, lights up, slows down and looks like it's from a stupid video game. And Gal Gadot nails it, she's not a very good actress, but luckily Chris Pine is always next to her and is cool and funny enough to somehow pull it off. Unfortunately, the whole thing is at least half an hour longer than it should have been, the middle section with the shenanigans in London isn't nearly as funny as the filmmakers might have liked, and the messed-up finale sadly shows that Warner still hasn’t learned from the mistakes that plagued their previous films. And I honestly don't know if I'll be in the mood for it next time.
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Love at all sights. Wonder Woman is the best DC movie since Man of Steel, with its wonderfully depicted clash between
the fantasy world of a hidden island with its pure values and idealistic notions and the real world in the darkest time of
our history. And those worlds are represented by two cleverly written and precisely directed characters and their
deepening mutual understanding and inevitable attraction. Has any other comic book-based movie with such a strong
fantasy background worked as such a faithful reflection of our society? Wonder Woman has heart, honors the original
comic books, is witty and sexy, and none of its jokes fall flat. Four and half stars.
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In the recent years it is fashionable to shoot action or fantasy movies with female leads, so we have a chance to see or discover a whole range of new and beautiful actresses with great skill. In this case Gal Galdot did not disappoint at all. Her beauty is probably visible all the way from the Moon and even Martians would know who to pay attention to on planet Earth, if they decided to conquer it. However, I've had some issues with the screenplay as that is much worse. The Americans appear to think that we Europeans are completely dumb, so they’ve mixed the visualization of the First and Second World War and created something that may be nice to look at, but otherwise it is completely stupid. Luckily, there is Chris Pine alongside Gal Galdot and he was probably even better than her. His role was once again amazing, which I cannot say about the antagonist, portrayed by David Thewlis. His acting was good, but as an enemy he qualifies at a similar level as a nice uncle with moustache and candy. The film radiates personality and also quality, but I think it is still not enough to place DC on the same level with movies like Thor or The Guardians of the Galaxy that brought a new level of quality and fun into movies based on comic books.
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It is indisputable that Gal Gadot is bad at acting but... She has a Schwarzenegger-like Conan drive, when she transforms her non-acting and striking accent into kind of strength, when Diana's naivety (not to be confused with stupidity) seems authentic and cute. Yes, the opening part on the Amazon´s island could (and should) have been shorter. And the only thing that is really good about the digital mess ending is unlike today's standards at least short, coherent and does not last dozens of minutes. Nevertheless, not at all does it fit into the rest of the movie, it is purely Snyder style and unnecessarily devalues the otherwise well-conceived villain "It wasn´t me, I am only whining". That´s for the strengths and weaknesses. The rest is basically Doner's first Superman in the Xena fan version (why Lucy Lawless doesn´t play Diana's mother?); that is, unexpectedly conservative, perfectly balancing on the edge of relaxed squabble, Shestakov time and serious tone. With a minimum of action (which is a plus, but at least the one from the battlefront is amazing), thanks to that everything is focused on the characters and the soundtrack is simply excellent. That's why it's a surprisingly nice movie among all those mainstream popcorn comics movie.
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