Reżyseria:
Kai WesselZdjęcia:
Hagen BogdanskiMuzyka:
Martin TodsharowObsada:
Heike Makatsch, Dan Stevens, Monica Bleibtreu, Hanns Zischler, Johanna Gastdorf, Michael Gwisdek, Anian Zollner, Sylvester Groth, Hary Prinz (więcej)Opisy(1)
It is the year 1966. Hildegard Knef comes back to Germany. She is at the peak of her career and is about to perform a concert at Berlin's Philharmonic Hall. Her appearance marks the first non-classical show ever to be performed in the brand new 2,400-seater concert hall and tickets have been sold out for weeks. It is nonetheless a difficult comeback, with a long and complex history. When her plane arrives in Berlin-Tempelhof she is met by a crowd of enthusiastic journalists. Hilde's back! – and she's well prepared. Her gait is purposeful, breezy even, and she puts in a self-confident and witty appearance at a short press conference. Hildegard Knef knows what she wants. She is a professional, a star who doesn't let anything on. In spite of her euphoric reception in 1966, her trip back to Germany is a depressing one in many ways. Berlin may be the city in which Hildegard Knef grew up and celebrated some of her greatest successes, but it is also the site of her most bitter failures... (Berlinale)
(więcej)Materiały wideo (1)
Recenzje (2)
I have to say I was considering giving the film three stars. Mostly because I didn’t really know the actress Hildegard Knef until this movie, so I didn’t know what to expect. However, for a biopic made with precision it definitely deserves the extra star. I really liked Heike Makatsch’s take on her character. Add in the great atmosphere of the World War, then the post-war period and finally Hollywood. It would be foolish to rate it lower. This biopic is a properly made movie with all the good, but also bad, that this genre entails.
()
Up to this point, I had no idea about the existence, let alone the acting and singing fame of Hildegard Knef, and I must admit that even my encounter with this autobiographical film did not convince me that it would be any sort of a loss or mistake. Not even the big eyes of the otherwise sympathetic Heike Makatsch worked on me, no matter how hard she tried. I remained indifferent to her character until the end, and I consider the film to be a mere filler of broadcasting time. Overall impression: 40%.
()
Reklama