Reżyseria:
Duncan JonesScenariusz:
Nathan ParkerZdjęcia:
Gary ShawMuzyka:
Clint MansellObsada:
Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Gavin Rothery, Edgar ArreolaOpisy(1)
Sam Bell (Sam Rockwell) od 3 lat samotnie przebywa na stacji kosmicznej na Księżycu. Obsługuje zautomatyzowaną kopalnię, wydobywającą paliwo Helium-3 i przesyła je na Ziemię. Nie ma bezpośredniego kontaktu z ludźmi, jedynie okazjonalnie otrzymuje nagrane wiadomości z bazy oraz krótkie filmy od swojej żony Tess. Jego jedynym towarzyszem jest inteligentny komputer pokładowy Gerty (Kevin Spacey), który pomaga mu w codziennych czynnościach. Na dwa tygodnie przed zakończeniem kontraktu dochodzi do niebezpiecznej awarii. Sam traci przytomność, a po przebudzeniu dokonuje szokującego odkrycia. Zaczyna wątpić w "życzliwość" Gerty'ego oraz jego zleceniodawców, a także we własne zdrowe zmysły... (Monolith)
(więcej)Materiały wideo (2)
Recenzje (11)
A captivating and very gradual flight through loneliness and lost identity. A soft camera, sensitive directing, dreamy music and Sam Rockwell, whose performance of the schizophrenic "mind-fucking" (as he called it) looks like an air ballet. Moon may not be philosophically or deeply spectacular, but with all the imperfections and indie smudges from tar, this is a film that is easy to fall in love with. ()
Great sci-fi film. At the beginning I was afraid that what is immediately clear to smart viewers would turn out to be the shocking twist, but fortunately, the creators weren’t so naive. Moon delivers a very intelligent story, eye-candy visuals, excellent music (and catchy, I still can’t get that melody out of my head), and also emotionally strong scenes. All that together results in a unique movie that no fan of science fiction, or cinema in general, should miss. Basically flawless 5*. ()
Moon is cardboard sci-fi with a laudable idea, served up in a less laudable dramaturgical package. But the overall impression is positive: Sam Rockwell delivers a good performance and Kevin Spacey’s voice was a great idea. ()
Danny Boyle is often thought about, but in my opinion wrongly. Jones’s story could easily have been set on Earth, but then it lacked the "Cameron-esque" detachedly cool industrial setting that perfectly supports the film's events. The story isn't rocket science but instead rides along a strong emotional level of a lonely man, which was a challenge accepted by Sam Rockwell, who did his job with incredible grace. Not to be unfair to the director - especially the opening paranoia and the schizophrenic feel of the second half do make us think - but Rockwell's acting, backed by Mansell's excellent score, actually "made" this film. It’s an unconventional film experience, though probably without a significant audience response. ()
In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far... ()
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