Zdjęcia:
Brandon TrostMuzyka:
David SardyObsada:
Nicolas Cage, Violante Placido, Ciarán Hinds, Idris Elba, Johnny Whitworth, Christopher Lambert, Anthony Head, Fergus Riordan, Spencer Wilding (więcej)Opisy(1)
Chciał oszukać przeznaczenie. Wydawało mu się, że jest Bogiem. Został najgorętszym bohaterem roku. Johny Blaze powraca w spektakularnym stylu, tym razem ścigając demony w prawdziwym 3D! Szybkie motocykle, nieziemskie kaskaderskie ewolucje i bohaterowie z piekła rodem sprawiają, że widz zabrany zostaje na piekielnie ostrą przejażdżkę. Tak jak po Matrixie, wszystko w kinie się zmieniło, tak i tym razem reżyserzy Neveldine i Taylor zapowiadają, że Ghost Rider „przesuwa granice w kinematografii! (ITI)
(więcej)Materiały wideo (5)
Recenzje (3)
While it may not have seemed like it in the first few minutes, the second Ghost Rider is ultimately just as bad as the first. Meaning very bad. Similarly, because the film is completely different in every way. Some people might like the predatory style of the directors, but I, who didn't like even one of the Crank films, would have a hard time with it (Gamer is probably the exception that proves the rule). The stunts were decent, but that's it.
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Awful codswallop, but entertaining. Idris is really fine here, Cage is as crazy as hell itself and the action is superbly done (especially the quarry and the chase finale). Neveldine and Taylor add their own particular Crank style to this. Shame they didn’t try for an R-rating. And one of the main villains had a cellphone like mine. In fact, I like this more than part one.
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After Gamer, I started to like Mark Neveldine and Brian Taylor, and the idea of them directing a sequel to Ghost Rider was actually quite appealing to me. I don't know where exactly the fault lies, whether it's the smaller budget compared to the first film, or in the script, in which we have no idea what's going on. Either way, I know that the directing duo is sending it all down the drain with their lack of creative art. This is no longer the kind of visual anarchy one might enjoy. Like in Crank, this is the crystal clear essence of a filmmaker's mess, where the camera and editing are supposed to mask poor exteriors and mediocre special effects, all while you don't actually keep track of what's supposed to be happening in any given visual segment because it just doesn't work. If you're completely let loose and think you're going to throw one cool frame after another with speed, you're sorely mistaken. It sucks that I was kind of looking forward to it.
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