Opisy(1)
Sydney Wells, niewidoma skrzypaczka z Los Angeles przechodzi skomplikowany zabieg przeszczepienia rogówki, który przywraca jej wzrok po ponad dwudziestu latach ślepoty. Ale szczęście Sydney nie trwa długo... Dziewczynę zaczynają prześladować nie mające żadnego naukowego wyjaśnienia dziwaczne i przerażające wizje. Okazuje się, że Sydney posiadła także zdolność jasnowidzenia i dostrzegania zmarłych... (Kino Świat)
(więcej)Recenzje (4)
This remake is not good, really. We follow a wooden Jessica Alba moving around with the same twisted expression for the entire film, while uttering “smart” monologues – she’s so much fun to watch. Those few scary scenes from the original are totally ruined and trampled to the ground. In short, I don’t think The Eye is a good choice, and I mean both the American and the original from Hong-Kong.
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A directing duo with god-given talent versus a below-average Asian ghost film. So what does that amount to? A hell of a bore, mainly due to zero creative invention, which consistently sticks to the style of traditional Hollywood coloring books, using sexy colors of garish shades instead of consistent detail work and subtle shading. The definition of useless.
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Nothing groundbreaking at all. Plot-wise and in terms of any kind of suspense, The Eye is in the same position as most of the Beyond Belief: Fact or Fiction episodes (i.e. poor), and it doesn't offer much in terms of acting either. I liked the blurry and hazy scenes just after the operation, then the scene in the smoky apartment. That's all. Perhaps only the music of Marco Beltrami.
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The Eye is a classic example of what an American remake means. It's taking something interesting, making it into something American, and essentially ensuring that the interesting aspect ceases to be interesting. The film is just a blend of The Sixth Sense and Final Destination, where the ending tries too hard to make you empathize with the characters, but you're more so hoping everyone just explodes.
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