Reżyseria:
Volker SchlöndorffZdjęcia:
Tomas ErhartMuzyka:
Alfred SchnittkeObsada:
Ulrich Matthes, August Diehl, Hilmar Thate, Bibiana Beglau, Ivan Jiřík, Adolf Filip, Zdeněk Pecháček, Karel Dobrý, Vladimír Fišer, Petr Janiš, Vladimír Gut (więcej)Opisy(1)
Pobożny katolicki ksiądz Abbe Henri Kremer (Ulrich Matthes) bez słowa wyjaśnienia zostaje zwolniony z piekła na ziemi, jakim jest obóz koncentracyjny w Dachau i odesłany do domu w Luksemburgu. Po przybyciu na miejsce dowiaduje się, że zwolnienie nie było ani ułaskawieniem, ani też zawieszeniem kary za głoszenie idei sprzecznych z nazistowskimi prawami rasistowskimi. Wedle zamysłu gestapo, Kremer ma w ciągu dziewięciu dni przekonać biskupa Luksemburga (Hilmar Thate), do współpracy z nazistowskim okupantem i podpisania listu poparcia dla Rzeszy. Ksiądz jest rozdarty pomiędzy swoim sumieniem, a horrorem związanym z powrotem do Dachau i odpowiedzialnością za bliskich: musi dokonać wyboru między przetrwaniem fizycznym, a duchowym. (Tantra)
(więcej)Recenzje (2)
A lot of raw story of a Luxembourgish priest in a concentration camp and also outside of it. I liked that the film did not hold back and delved into philosophical questions about faith from top to bottom. Different people, different opinions, often quite strong opinions during war, made me think about the whole film for a long time after it ended. Ulrich Matthes played absolutely precisely and I must admit that I believed him, even the fear in his eyes that he emitted every other scene. If I were in the place of the person whose story this film tells, I would probably collapse during those nine days of torture. In any case, the film has a great wartime atmosphere and it all unfolds superbly. I'm surprised that more people don't know about this film, considering that our country was also involved in its production.
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I've seen quite a few films about Nazis and extermination camps, but this one is special. The sad story of Abbé Henry Kremer shows the atrocities of the Second World War from the perspective of the Church. Dealing with philosophical questions of faith, conscience, and betrayal, Ulrich Matthes was undoubtedly a good choice for the role of a man who does not succumb to pressure and keeps his composure even when he is realistically threatened with death. The character of the young Gestapo officer Gebhardt is certainly intriguing, with his non-black-and-white nature, portrayed excellently by August Diehl. I cannot forget about the Czech mark left on the film by Karel Dobrý. In the small space of the commander of the Dachau concentration camp, he was so strongly etched in my memory that at times I felt as if he had perhaps been born an SS man. The Ninth Day is not a pleasant film to watch, but it will make you think about how you would act in a given situation. (80%)
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