Reżyseria:
Steven ZaillianScenariusz:
Steven ZaillianZdjęcia:
Paweł EdelmanMuzyka:
James HornerObsada:
Sean Penn, Jude Law, Kate Winslet, Mark Ruffalo, Anthony Hopkins, Patricia Clarkson, Kevin Dunn, James Gandolfini, Kathy Baker, Talia Balsam (więcej)Opisy(1)
Willie Stark to przeciętniak z małego miasteczka, który domaga się, żeby nieuczciwi politycy i szemrani biznesmeni z Luizjany zostali pociągnięci do odpowiedzialności za zawalenie się źle wybudowanej szkoły. Stark, który zostaje nakłoniony przez podejrzanego doradcę politycznego Tiny'ego Duffy'ego do ubiegania się o fotel gubernatora, odnajduje się w roli charyzmatycznego populisty. Wkrótce zaprzyjaźnia się z młodym idealistycznym dziennikarzem Jackiem Burdenem, który zaczyna z nim współpracować. Jednak gdy Stark prosi Burdena, żeby ten dotarł do informacji oczerniających starego przyjaciela rodziny Judge Montague Irwina, Burden zaczyna kwestionować swoją moralność i zaskakującą przemianę Starka w niezdolnego do zmiany lidera, dla którego liczy się tylko władza. (iTunes)
(więcej)Recenzje (4)
I watched this film mainly because of the casting of Kate Winslet, and unfortunately she only had a little "bark". The main characters here are Jude Law and Sean Penn, who both kind of got on my nerves at times. I did, however, welcome the great Jackie Earle Haley in a supporting role, and while he didn't say much, his presence was enough. It's really a shame that the film didn't really get going until ten minutes before the end, because what preceded it was very bland. In short, a prime example of a film that tempts with a stellar cast, but I personally was somewhat disappointed because I was expecting something much more dynamic.
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I accept moral and political dilemmas, as well as the tearing apart of family problems, but these two aspects do not work together. Mainly because we see politics in the first half, then without warning we switch to relationships, romance, and drama, and in the end, both aspects overlap and create a very cleverly filmed, but perhaps calculating catharsis. The second aspect that spoils the experience, surprisingly, is Sean Penn. His performance has some captivating moments, but I couldn't shake the feeling that he's trying to earn an Oscar nomination from every ordinary dialogue or simple view from the window, incorporating all available facial and vocal techniques to attract all the attention to himself. He escapes the natural expression of the eternal nice guy Jude Law or the excellent James Horner soundtrack. You can watch (almost) All the King's Men with enjoyment, but it leaves you cold a little too often.
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A boring topic that required a much better screenwriter and director to make it watchable. Political manipulations are not very interesting, and when they are adapted into a film format that is everything but engaging and entertaining, something is probably not right. There are some captivating passages (Penn's speeches, romantic scenes) that have brilliant sound and acoustics, but the story itself is a mess of tedious dialogues without deeper connection and coherence. Moreover, with a runtime of over two hours, you easily loses concentration, and then there is nothing left but to pray for this excessively intellectual and overall very disjointed and confusing creation to reach its destination.
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Before you watch this film, you might want to check out The Dead Zone. The film has a similar theme, plus it's suspenseful and gripping if you don't mind slightly supernatural elements. All the King's Men is boring, despite the great cast assembled here. Steven Zaillian got nothing out of them.
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