Reżyseria:
Alain ChabatScenariusz:
Alain ChabatZdjęcia:
Laurent DaillandMuzyka:
Philippe ChanyObsada:
Gérard Depardieu, Christian Clavier, Jamel Debbouze, Monica Bellucci, Alain Chabat, Claude Rich, Gérard Darmon, Edouard Baer, Mouss Diouf, Marina Foïs (więcej)Opisy(1)
Egipt, pozostający pod jarzmem Imperium Rzymskiego, rządzony jest przez piękną królową Kleopatrę. Władczyni, zdegustowana ciągłymi uwagami Juliusza Cezara o wyższości Rzymian nad Egipcjanami, rzuca wyzwanie: jeśli w ciągu trzech miesięcy jej naród zbuduje na środku pustyni najpiękniejszy w świecie pałac, Cezar będzie musiał publicznie przyznać, że Egipcjanie są najpotężniejszym ludem na Ziemi. Głównym architektem szalonego projektu Kleopatry zostaje Numernabis. Pomagają mu druhowie: Asterix, Obelix oraz piesek Idefix. (TV Puls)
(więcej)Recenzje (10)
Asterix & Obelix: Mission Cleopatra usually divides the audience into two disparate groups. I'm one of those who enjoy a live-action version of Cleopatra now and then. The 1968 animated version was already absolutely excellent and there are so many wonderful ideas here. Sun-drenched Egypt is a feast for the eyes, and Monica Bellucci has never been more beautiful. The humor may not be universal, but where the original comics "Asterix and Cleopatra" (1965) worked, this will work too.
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I wonder what Goscinny would say about this. On the one hand, the filmmakers stuck quite closely to the brilliant comic book, on the other hand, there are flukes like the final aerial fight, pirates on the Nile and Asterix's love story, which have nothing to do with the source material and degrade it a bit. On top of that, Chadat also added references to famous films like Star Wars and Crouching Tiger, Hidden Dragon, and they are quite ridiculous. As for the Asterix adaptations: the animated ones aren't very good, the first live-action film is a weird hodgepodge of several books, and this one, though not a hodgepodge, it’s literally overstuffed and a lot of crazy fun. If you are a fan of the Asterix cartoons (which I count myself among), you won’t enjoy this much, but if you like silly nonsense, you’ll probably be satisfied. I chose to compromise :)
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How a group of stoned French people got their hands on filmmaking equipment and ran around the desert for a few weeks... Either they were too high, or the dealers sold them some really bad product.
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I can't say I wasn't amused, but I didn't have as much fun as I did with the cartoon of the same name, which, in addition to the great bon mots (which the film partially preserved), also offers non-transferable animated humor. The film tries to build musical numbers that are fresh and nice, but not nice enough to smooth out the impression of shallowness. Otherwise, this French film maintains the decent standard of the previous film – good effects, good actors, average direction. Just enough to watch during the evening, but if I had to choose between the cartoon and acted versions, I wouldn't hesitate.
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The red lobster is one of the largest crustaceans in existence. An adult specimen can weigh up to 17 1/2 lbs. The high score I gave here is mainly for the lobsters and (literally) a couple of good jokes. The second half is quite good because it is so deranged that... Well, you know, lobsters. But the first half is desperately boring and lame.
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Only a fool can turn a fairy tale for older children into a crazy parody – but who cares when it works so wonderfully and entertains both children and adults – in other words, everyone.
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I was deciding between 3 and 4 stars, but thanks to the well-acted Cleopatra and the excellent music, I’m giving it a 4, even though this genre is not my cup of tea.
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A very zany adaptation of a well-known French comic, full of lighthearted humor that, surprisingly, I didn't mind much in this case, with a few exceptions. The film is suitable as relaxation after exhausting mental work. It's comic book exaggerated, full of directorial ideas and jokes of various kinds. Gérard Depardieu and Christian Clavier deliver their traditionally reliable performances, and Monica Bellucci is certainly more attractive and skilled than her predecessor in the first film. The humor of the original comic is somewhat more sophisticated, not as straightforward and coarse, so true comic fans might react hesitantly. Overall impression: 55%.
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The change of director is evident from the opening sequence, but I don't think the film suffers because of it. The overall feel of the second Asterix may be wackier and crazier, but it's all the more imaginative for it. Jamel Debbouze was right on, and the graceful Monica Bellucci was more of a model for the designers than Cleopatra, as some of her costumes were truly unforgettable. The film also includes some appropriately used references to American films, or at least it felt that way at times. In short, I enjoyed this episode about as much as the previous one, hence I give it the same rating.
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I was extremely surprised at how much I liked this film. Partly because it has genuinely funny scenes where thankfully there's no bickering in a Gallic village, which actually isn't present here at all, and partly because the film is infused with pop culture elements, beautifully reflected in the music. And then, of course, there's Monica Bellucci.
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