Reżyseria:
Michael Caton-JonesScenariusz:
Robert GetchellZdjęcia:
David WatkinMuzyka:
Carter BurwellObsada:
Robert De Niro, Ellen Barkin, Leonardo DiCaprio, Jonah Blechman, Eliza Dushku, Chris Cooper, Carla Gugino, Tobey Maguire, Michael Bacall, Deanna Milligan (więcej)VOD (2)
Opisy(1)
W latach 50. Toby i jego matka przeprowadzają się do stanu Waszyngton, gdzie kobieta poślubia nowego ukochanego. Jednak relacje chłopaka z despotycznym ojczymem szybko stają się bardzo skomplikowane i wrogie. (HBO Max)
Recenzje (4)
A healthy movie for everyone who is still planning to live with their parents for some time. When the thought arises in your mind again that it's unbearable with them, remember Robert De Niro in this movie.
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The film is great as a small psychological depiction of the relationship between a son and a despotic father, and especially in the acting parts, it is an absolutely brilliant clash of acting personalities of their generations. Unfortunately, it occasionally stumbles into trifles such as a more stylish portrayal of its time (it’s too artificial at times) and somewhat neglected supporting characters, yet who often strongly influence the protagonists, so they should have had more screen time. Caton-Jones is a solid craftsman who can make an impactful scene (the final fight), but the whole, including the idea of the film, escapes through his fingers. If it wasn’t for that, it would have been perfect.
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A strong 90s drama showcasing the brilliance of De Niro, Barkin, and a young DiCaprio. Set in the 50s and based on true events, this film delivers a gripping story. DiCaprio’s portrayal of a troubled teen clashing with his abusive stepfather is intense and haunting. The way DiCaprio steals the spotlight, only to have De Niro match him scene for scene, is mesmerizing. While the acting is top-notch, the story itself is pretty straightforward and doesn’t evolve much. But if you're here for the performances, you won't be disappointed.
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A duel of filmmaking aces and a terrific portrayal of the relationship entanglements of a lower-middle-class family with all the downsides you can imagine. Fortunately, Michael Caton-Jones is also a solid craftsman, but that's not really the point here. He works with the actors on a couple of meters, and handles that admirably. As the film progresses, the characters become more and more likeable and emotional; they are are unusually plastic and not only the main ones!
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