Reżyseria:
Peter ChelsomScenariusz:
Audrey WellsZdjęcia:
John de BormanObsada:
Richard Gere, Jennifer Lopez, Susan Sarandon, Lisa Ann Walter, Stanley Tucci, Bobby Cannavale, Omar Benson Miller, Richard Jenkins, Nick Cannon (więcej)Opisy(1)
Prawnik z Chicago John Clark (Richard Gere) wiedzie niemal idealne życie. Ma piękną żonę (Susan Sarandon), którą kocha, odniósł sukces zawodowy, wychował dwójkę wspaniałych dzieci. I teraz? dzień pracy zawsze wygląda tak samo, dojazd do niej jest męczący, a rodzina nie ma czasu by wspólnie spędzać czas. Zastanawia się, czy tak już będzie zawsze? Pewnego wieczora wracając z pracy, wysiada bez namysłu z pociągu. Nie mówiąc nikomu, w tajemnicy zaczyna uczęszczać na lekcje tańca. Wkracza w nowy w świat pełen emocji, muzyki, nowych przyjaźni i namiętności. Całe życie tego poważnego człowieka ulega zmianie. (Monolith)
(więcej)Recenzje (3)
The smart and well-arranged plot, unfortunately, has no significant pull and strength and therefore it comes out purely average. Richard Gere is phenomenal and perfectly suited for these roles. Another great thing was that Jennifer Lopez surprisingly did not bother me here. The dance scenes are skillfully shot and have their own social charm, which will be appreciated primarily by older audiences. There is no dramatic romantic plot or similar escapades seen in the vast majority of romantic films of this kind. Everything here is done in a relaxed, more mature spirit and with the help of fantastic camera work, beautiful costumes, and a few truly unforgettable scenes. Shall We Dance can offer quite a pleasant evening.
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Dance is good. Dance is the meaning of life for someone. Dance helps to find a path to happiness, relationship harmony, and mental balance with oneself. So far, everything is fine. But for everything to be fine, the sweaty (and later beautifully gilded) physical flutter should not be overshadowed by an unbearable family stereotype full of melodramatic contemplations and lengthy complications. And last but not least, the object of desire and, above all, the means to achieve all that comfort should not be Hispanic flexible, but hard-to-work wood.
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No matter how I try to think about this film, I cannot find any fault with it. That’s a bit chilling, considering the fact that it's a simple romantic musical comedy... But there’s just something to it, and I'm not afraid to consider it as something that has charge of Luhrmann's Strictly Ballroom. When joy was being given out through Pretty Woman in the 1990s, I only married Richard then. ;)
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