Reżyseria:
Peter BergZdjęcia:
Tobias A. SchliesslerMuzyka:
Harry Gregson-WilliamsObsada:
Dwayne Johnson, Seann William Scott, Rosario Dawson, Christopher Walken, Ewen Bremner, Jon Gries, William Lucking, Ernie Reyes Jr., Garrett Warren (więcej)Opisy(1)
W brutalnej miejskiej dżungli Los Angeles można spotkać takich ludzi jak Beck... no, niezupełnie takich jak on. Beck używa bowiem wszelkich środków, jakie są konieczne do tego, aby odzyskać to, za odzyskanie czego mu zapłacono. Nieważne, co to jest - zaległa płatność czy opóźniony gong podczas rozgrywek Super Bowl - Beckowi nie sprawia to żadnej różnicy. Kieruje się prostą zasadą wyboru metod: (A) metoda Becka, (B) metoda Becka z użyciem siły, lub (C) - nie ma żadnego "C". Dzięki imponującej sile fizycznej Becka, zlecenie zawsze jest wykonane. (Imperial Cinepix)
(więcej)Recenzje (5)
Mediocre in terms of directing, (sub)mediocre in terms of story and, additionally, in terms of action, how else but mediocre. The editing is appalling, completely random and actively irritating. The only thing that makes it at all watchable is “The Rock" and very few funny moments. If they had only stepped on the gas and shortened the running time, it could have been a solid attempt at an updated variation on Romancing the Stone. Unfortunately they didn’t and the result is uninspiring and, guess what word comes next, that’s right, mediocre.
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The Rock is good. I didn't he’d have much of a chance after The Mummy Returns and The Scorpion King, but here he proves he's pretty damn cool. He's natural, doesn't overact and he's got more acting talent than Schwarzenegger, Stallone, Van Damme et al combined. The Rundown is an unpretentious breather, filmed according to templates seen countless times, but some of the action scenes are just great. The Rock as the tough guy who always keeps the deal and hates firearms complements well with Scott and there’s no threat of boredom. The simple script can be forgiven, this film has no higher ambitions than to comfortably fill 100 minutes.
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A fairly brisk beginning and ending – but in between it is just boring, without a single proper acting performance, where even the eternal charmer Sean William Scott loses his basic bantering pace. A few action gimmicks are not enough for me to appreciate this unbalanced B-movie.
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The cinematography, editing, sound are all top notch. Otherwise, it's a first-rate bollocks, but it looks innocent and if you wave your hand over it, sometimes you even laugh.
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This film was apparently made in the 1980s and found its way to the present day thanks to some weird time machine. And that’s good.
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