Reżyseria:
Nimród AntalZdjęcia:
Flavio Martínez LabianoMuzyka:
Harry Gregson-WilliamsObsada:
Liam Neeson, Embeth Davidtz, Matthew Modine, Noma Dumezweni, Jack Champion, Lilly Aspell, Arian Moayed, Emily Kusche, Jerry Kwarteng, Christian Koerner (więcej)VOD (1)
Opisy(1)
Mieszkający w Berlinie, amerykański biznesmen Matt Turner (Liam Neeson) odwozi dzieci do szkoły, kiedy odbiera tajemniczy telefon. Głos ze słuchawki informuje go, że w jego samochodzie jest bomba, a brak współpracy czy próba kontaktu z policją grożą natychmiastową eksplozją. Aby uratować siebie i bliskich, Matt będzie musiał wykonać szereg zleceń nieznanego szantażysty. Jeśli odmówi, uzbrojony ładunek wybuchnie, zabijając Matta i niszcząc wszystko dookoła. Zmuszony do ciągłej jazdy, niemogący opuścić pojazdu mężczyzna rozpoczyna bezprecedensową walkę z czasem i desperacki wyścig po to, by ocalić życie. (Kino Świat)
(więcej)Materiały wideo (8)
Recenzje (3)
Surprisingly not as bad as I expected. Liam Neeson's recent films have been declining because he's an old man already, so the action and fights have been looking pretty retirement home-like, and the scripts of his films aren’t worth much either. Both problems are finally absent here, firstly because here Neeson sits in a car for the entire film, and secondly because it's an idea seen and rehashed hundreds of times before, but still enjoyable and entertainingly suspenseful. I was tense throughout, enjoying each new "challenge" and eagerly awaiting the final reveal. Likewise, the visuals aren't bad by any means and the film's spirit is undeniable. All in all, it's definitely a non-offensive one-shot that is entertaining, engaging and even though it's an unoriginal theme, I wasn't bored. Average.
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An ordinary thriller. A family father, a bomb in the car, Berlin in the early morning rush. Where is the problem? Liam Neeson is already over seventy, and he needs something completely different at this stage of his career. After all, fifty-year-old Wotan Wilke Möhring in Don't. Get. Out! (2018) makes much more sense in the same role.
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Banker Matt Turner finds out he has a bomb in his car and if he doesn't do what an unknown voice on the phone asks, he'll go up in smoke. And maybe he should do it to avoid making the audience suffer. Death Ride is a silly B-movie that is artificially stretched out and that shouldn't be longer than ninety minutes. It lacks suspense and ideas, and is predictable from beginning to end, and even annoying in how uninteresting it is. Liam Neeson has probably never made a worse action thriller.
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